Developed in partnership with global digital consultancy Monstarlab, the Digital Creative Economy 2024 white paper by d3 and Dubai Media City compiles feedback from engagements with more than 20 leaders and a survey of 400 UAE- and internationally-based design and media professionals to provide a holistic overview of growth opportunities in the global digital creative economy.

The white paper’s launch comes as Dubai reaffirms its position as the global capital of the creative economy, ranking first on the Foreign Direct Investment (FDI) Index for project inflows and job opportunities in the cultural and creative industries in 2023, according to the fDi Markets report by the Financial Times. 

The global digital creative economy is expected to note compounding growth of 11% each year to reach a valuation of AED 27 trillion by 2030, according to an innovative market sizing model built by Monstarlab that reflects the average combined sizes of the global design and media markets as well as verticals defined by global and UAE standards, including books, audio-visual media, culture and heritage, visual arts, fashion, and product design. 

The white paper’s findings come at a pivotal time for creative industries as the advent of generative AI breaks new ground in production processes to transform existing business models. Developed by d3 and Dubai Media City, two of TECOM Group’s 10 sector-specific business districts across Dubai, the paper explores how the accelerated trajectory of emerging technologies is influencing skills and services ranging from fashion design and architecture through to visual arts, advertising, and events. 

“There has been a seismic shift in how content is produced, distributed, and monetised over the past decade, and the rapid pace of this convergence demands tomorrow’s talent is armed with the necessary skills and training to unlock its full potential,” said Majed Al Suwaidi, Senior Vice President of Dubai Media City, at TECOM Group. 

“AI, Web3, and virtual reality are swiftly pushing the horizon of what’s possible for the future of media, but this tech-driven landscape demands a deep, holistic understanding of the implications of these new tools. Strategic support, be it through Dubai Economic Agenda ‘D33’ or Dubai Media’s vision to champion homegrown content creation, is crucial to nurturing such innovation-led creativity, and Dubai Media City is committed to enhancing the local media sector’s value chain by contributing to these programmes. It’s an exciting era for content creators as technology redefines every facet of our lives, and our white paper provides a blueprint for a new breed of creative innovators to chart their future success.”

“The creative industries are an undeniable springboard for economic growth,” said Khadija Al Bastaki, Senior Vice President of Dubai Design District (d3), at TECOM Group. “Strategic support in our city, too, is geared towards helping to unlock the potential of the creative sector. This is apparent in the Dubai Creative Economy Strategy, which aims to raise the GDP contribution of creative industries to 5% by next year.

“Strategic initiatives, targeted development and pro-business policies, and a diverse, multicultural population are cultivating an outstanding global creative community, which has been instrumental to Dubai’s status as a UNESCO City of Design and driving FDI in the creative sector. To build upon Dubai’s flourishing contribution to the global design sector, we must continue to look forward and prepare for the next priorities courageously, collaboratively, and innovatively. This white paper demonstrates our deep commitment at d3 to championing this vital conversation and ensuring an even stronger future that is informed, favourable and progressive for all our creative stakeholders.” 

As global creative talent taps into the transformative potential of generative AI to automate, optimise, or innovate its work, the white paper explores how the trend is helping the ‘creator economy’ reshape content generation and enabling customer-centricity in commercial applications. More than 42% of design and 46% of media professionals surveyed for the white paper expect advanced emerging technologies and the adoption of AI solutions to impact their field of expertise in the coming years. 

The study also explores the UAE’s role as a contributor to the global creative industry, particularly as the fastest mover within the GCC to grow and digitise its creative economy. The majority of design (83%) and media (77%) of professionals surveyed for the white paper agree Dubai and the UAE provide well-developed infrastructure to enable creative excellence.

Benchmarking Dubai against global design capitals like Milan and London as well as media centres such as Manchester and Los Angeles, d3’s and Dubai Media City’s white paper finds Dubai has established itself as a global player through key levers nurturing the digital creative economy, including talent, government support, innovation, and infrastructure. 

Events like Dubai Fashion Week, co-founded in February 2023 by d3 and the Arab Fashion Council, have firmly established the city’s position on the global creativity landscape. Strategic visions like Dubai Economic Agenda ‘D33’, Dubai Creative Economy Strategy, and Dubai’s Universal Blueprint for AI (DUB.AI) – as well as the establishment of the Virtual Assets Regulatory Authority, the first of its kind in the GCC – are accelerating the integration of AI across all facets of Dubai’s diversified economy. 

Furthermore, initiatives like ‘We the UAE 2031’ and the UAE Cabinet’s decision to implement a CEO for AI across ministries and federal entities are fostering an environment conducive to developing and strengthening the local value chain for future-focused creativity. 

Click here to download your copy of the Digital Creative Economy 2024 white paper presented by Dubai Design District (d3) and Dubai Media City. 

The white paper’s launch follows the announcement of an expansion plan for d3, which enhances the creative economy by elevating local, regional, and international designers, creating synergies between global ecosystems to inspire, connect, and grow creatives at all stages of their journey with a dedicated industry ecosystem that features flexible offices, coworking spaces, in5 Design – the dedicated industry vertical of TECOM Group’s start-up incubator in5 – and a packed calendar that turns d3 from an address for businesses to a living, breathing ecosystem. 

In August 2024, TECOM Group commenced the development of six Grade-A office buildings within Phase 2 of d3 as the destination remains a sought-after address for customers across the design, fashion, and creative sectors, including Chopard, Zaha Hadid Architects, Chalhoub Group, and Burberry.

Its sister destination Dubai Media City is the cradle of the UAE and the region’s creative economy and provides a platform for high-quality media and content production as the regional address of industry giants like CNN, Thomson Reuters and OSN. Alongside Dubai Production City, which is home to in5 Media – TECOM Group’s dedicated vertical for the media industry under the in5 umbrella – and Dubai Studio City, the destination creates an integrated media ecosystem that is home to more than 3,500 customers and over 38,000 creative professionals.

Dubai Design District (d3) and Dubai Media City are among TECOM Group’s portfolio of 10 business districts, including Dubai Internet City, Dubai Production City, Dubai Studio City, Dubai Knowledge Park, Dubai International Academic City, Dubai Industrial City, and Dubai Science Park.

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Dubai Culture and Arts Authority (Dubai Culture) plays a pivotal role in enhancing cultural tourism across the emirate, offering visitors immersive experiences that invite them to explore the city’s museums, historic sites, and heritage landmarks. With a portfolio that includes five museums, five heritage sites, and 17 archaeological sites, Dubai Culture showcases the city’s rich history and cultural essence. Among these, Al Shindagha Museum, the UAE’s largest open-air heritage museum, stands out as a ‘hidden gem,’ offering unique cultural pathways that highlight the authenticity of local traditions. 

Etihad Museum captivates visitors with its unique concept, narrating the story of the UAE’s formation and development. Through a carefully curated chronological timeline, it traces the pivotal events that led to the union, particularly between 1968 and 1974. The museum’s exhibits and educational programmes also shed light on the visionary efforts of the UAE’s founding fathers. In contrast, the Al Fahidi Historical Neighbourhood remains one of Dubai’s most beloved tourist destinations, where visitors can step back in time and experience the traditional way of life that prevailed from the mid-19th century to the 1970s. Its narrow alleyways and historic houses reflect Dubai’s rich artistic and creative identity, deeply rooted in its cultural heritage.

Hatta, recognised by Condé Nast Traveler as one of the most beautiful 50 small cities in the world for the year 2023, is home to Hatta Heritage Village, a bridge between the past and present, showcasing traditional architecture distinctive to the area and offering its visitors the opportunity to explore the region’s natural history and heritage, and celebrate the rich heritage, customs, and traditions of Hatta.

Dubai’s wealth of archaeological sites offers visitors a captivating journey through its ancient history, stretching back over 300,000 years, from the Stone Age to the late Islamic periods of the 19^th century. Among the most significant discoveries is Saruq al-Hadid, discovered in 2002 by His Highness Sheikh Mohammed bin Rashid Al Maktoum, Vice President and Prime Minister of the UAE and Ruler of Dubai. This site is one of the richest archaeological treasures in the southeastern Arabian Peninsula, with its artifacts now displayed at the Saruq al-Hadid Museum in Al Shindagha Historic Neighbourhood. Similarly, the Jumeirah Archaeological Site, dating from the Islamic era (900–1800 AD), reflects the historical significance of the Jumeirah region during the Abbasid Caliphate.

Commenting on the importance of cultural tourism, Muna Faisal Al Gurg, CEO of the Culture & Heritage Sector at Dubai Culture, affirmed its vital role in diversifying Dubai’s economy, stating: “Dubai’s cultural diversity, blending modernity with tradition, and its vast array of artistic and creative events enhance the strength of its tourism and reflect the city’s vibrant identity. At Dubai Culture, we are committed to enhancing cultural tourism in the emirate tourism through various projects and initiatives aligned with our cultural responsibility of safeguarding our tangible and intangible heritage. Through our diverse programmes and events, we aim to offer tourists unique experiences that combine culture, heritage, art, and innovation. According to Dubai’s Department of Economy and Tourism, Dubai’s cultural offerings have contributed to a 10% year-on-year increase in cultural tourism, showcasing our efforts in boosting the tourism sector’s contribution to Dubai’s GDP and solidify its position as a preferred destination for living, working, and entertainment.”

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The 18th edition of this bi-annual event invites artists from across the region and around the world to participate and transform MEASA’s leading financial district into a captivating canvas of creativity just in time for DIFC’s 20^th anniversary celebrations. 

DIFC Art Nights will showcase a diverse range of artistic expressions, including visual arts, painting, sculpture, photography, design, murals, interactive workshops, panel talks, and music. This immersive experience will captivate art enthusiasts and the public alike, offering a unique opportunity to engage with established and emerging talents for an extended period of time. 

To participate in DIFC Art Night artists are invited to submit a portfolio of their best work to artnights@difc.ae, including high-quality images, a brief profile, and relevant details about each piece. Each entry will be reviewed by DIFC and the most outstanding artistic submissions will be selected for display. 

Categories include, but are not limited to, visual arts, painting, sculpture, photography, design, murals, mixed media, interactive workshops, and music. All submissions must adhere to the DIFC guidelines, available for download on the DIFC website.

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Organized by ICA Events, the 19^th International Cosmetics, Beauty and Hair Exhibition, BeautyEurasia contributed to the creation of productive collaborations and the development of the sector with the participation of leading companies and countries in the sector. The exhibition, held between 12-14 June, brought together the products, services and technologies of manufacturers and suppliers from around the world at Istanbul Expo Center.

BeautyEurasia, the leading sector and cooperation platform of Türkiye and Eurasia, brought together over 500 professional hosted buyers from 60 countries, primarily from Europe and the Middle East, as part of this year’s VIP hosted buyer program. Thanks to this program, exhibitors had the opportunity to meet with a large number of international high-level buyers and establish business development and partnership agreements. 467 exhibitors from 28 countries, especially from countries such as Russia, France, Bulgaria, Greece, India, Italy, Switzerland, Ukraine, Japan and China, and 969 brands from 38 countries gathered on the same platform.

BeautyEurasia, held by ICA Events, which organizes exhibitions for the locomotive sectors of the Turkish economy, attracted great interest for 3 days. The exhibition hosted a total of 16,683 visitors from 116 countries, 29.2% of whom were international visitors. The exhibition reached the highest rate in the history of BeautyEurasia with 4,877 international visitors. The most key product lines of the sector such as personal care products, perfume and deodorants, hair salon equipment, colour cosmetics, cleaning and hygiene products, baby hygiene products, nail care products, haircare products, packaging and labelling machines, wig-eyebrow-eyelash, cosmetic laser equipment were exhibited in BeautyEurasia. During the exhibition, where exhibitors and buyers meet and form business partnerships, visitors had the opportunity to experience various product lines, especially makeup, nail extensions and skin care applications.

BeautyEurasia, this year as well, made a great contribution to Türkiye’s economy

Evaluating the performance of the exhibition this year, Filiz Mehmedova, BeautyEurasia Exhibition Director, expressed her views as follows: “BeautyEurasia provides a productive platform for the promotion of new ideas and products by discussing and exchanging information on the global and regional development areas of the sector in Türkiye and the Eurasia region. BeautyEurasia, which has a mission beyond providing a basis for new cooperation and export opportunities, successfully continued to draw the road map for the sector this year. Hosting new export opportunities, BeautyEurasia received intense demand and great interest from abroad this year. Exhibitors and visitors got informed about the techniques and the products on exhibition booths where trends and key points about hair, makeup, nail, laser hair removal and personal care being shared.”Stating that Türkiye stands out as an important production country in cosmetics and attracted more attention from exhibitors with the increase in exports in the sector in the first quarter, Mehmedova said, “In the cosmetics sector, whose exports increased by 2.9 percent in the first quarter of 2024 compared to the same period in 2023, reaching 668.7 million dollars, BeautyEurasia continued to create new business, partnership and export opportunities for Türkiye with its strong regional network. This year, BeautyEurasia occupied a space 30% larger than last year’s, providing exhibitors with the opportunity to closely observe the strategies and innovations of the companies. Thus, the exhibition has made a significant contribution to the acceleration and growth of the sector’s dynamics this year as well. As Türkiye’s only cosmetics exhibition for 19 years, we have been pleased to continue contributing to the development of the sector and supporting the strengthening of Türkiye’s position in the international arena in this field.”

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The exhibition will showcase unique creations by nine designers from both nations, reflecting the distinctive cultural characteristics of each artist’s homeland.

Curated by Gwen Farrelly, the exhibition will run until January 7, 2025, and will present works produced during the Design Doha Residency Program 2024. This program, known as Qatar | Morocco: Crafting Design Futures, is a key initiative under Design Doha, a biennial event launched in 2024 to promote creative innovation within the Middle East and North Africa region.

“The biennial aims to build networks of exchange and collaboration among regional designers, and the Design Doha Residency Qatar | Morocco: Crafting Design Futures is central to that goal,” Farrelly explained. “This program examines the links between contemporary craft practices and innovative design through an exchange between Moroccan and Qatari creators.”

Qatari designers Nada Elkharashi, Reema Abu Hassan, Majdulin Nassrallah, and Abdulrahman Al-Muftah utilized the traditional Moroccan craft techniques they learned during the program to create multifunctional installations, products, and artistic displays, while also emphasizing significant cultural stories.

Meanwhile, Moroccan artists Amine Asselman, Bouchra Boudoua, Amine El-Gotaibi, Hamza Kadiri, and Sara Ouhaddou focused on earthworks, textiles, wood craftsmanship, ceramic and glass installations, and pottery.

The residency offered these artists a hands-on experience, allowing them to learn directly from expert artisans in each country.

Moroccan participants spent two weeks in Qatar at the Liwan Design Studios & Labs and Torba Farm, where they immersed themselves in local culture and traditions. Qatari participants, in turn, visited studios and artisan schools in Rabat, Casablanca, Marrakech, and Fes, gaining insights and inspiration from Morocco’s rich craft traditions.

Reflecting on the collaboration, Al-Obaidly remarked, “The designers from both countries immersed themselves in each other’s craft traditions — ranging from ceramics to textiles — and developed new works that reflect and support the heritage and contemporary practices of their cultures.”

Abdulrahman Al-Muftah, one of the Qatari participants, incorporated wood—a material not commonly associated with Qatar—into his work for the exhibition. “It was so valuable to our ancestors and why I chose to work with this material for the Crafting Design Futures exhibition,” he told Arab News. He explained that wooden beams, traditionally used in roof construction, were often left uncut, serving as a distinct design element in heritage buildings.

Al-Muftah’s piece for the exhibition is his interpretation of woodworking, drawing inspiration from Moroccan artist Hamza Kadiri’s woodwork, which emphasizes the importance of cultural exchange fostered through the residency. “In Kadiri’s hands, hardwoods become as malleable as clay, with household furniture items emerging as if they were poured into shape,” Al-Muftah said.

“My piece for the Crafting Design Futures exhibition is my interpretation of woodworking, drawing on Kadiri’s innovative techniques to create something uniquely my own.”

The exhibition aims to transcend mere aesthetics and innovation, reflecting Qatar’s broader mission to bridge cultures through creativity. Al-Obaidly noted, “Crafting Design Futures demonstrates the transformative impact of finding inspiration through shared experiences that draw on the wisdom of our ancestors, our lifestyles, and our deep-rooted connections with our societies, landscapes, and environment—all of which collectively shape our unique perspectives, creative endeavors, and shared narratives. Designing opportunities for creatives to engage in programs that have the capacity for such deep experiences is crucial to nurturing talents within the MENA region.”

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A diverse artist, Aparna has explored various art forms during her travels across the globe. Each destination has offered a new style of art, inspiring her to expand her repertoire. Among the many art styles she has experimented with, creating Feng Shui paintings is her favorite. Feng Shui, an ancient Chinese practice, merges the environment and energies to promote balance and harmony. Through her Feng Shui paintings, Aparna aspires to bring positivity and prosperity to every home.

In the digital age, Aparna has also mastered the intricate world of 3D art. Known for its realistic and detailed designs, 3D art delivers incredible visual impact, making it one of the most compelling art forms today.

Her artistic journey took her from the landscapes of Germany to the vibrant scenes in Qatar, where she transitioned from landscape art to photography. In Oman, she ventured into portraits, Zentangle art, doodle art, and caricatures. In Bahrain, inspired by the fiery beauty of tigers and horses, she explored the realm of animal art. Aparna’s versatility extends beyond traditional canvases, as she seamlessly transitions between various surfaces, including furniture, mugs, abayas, and more.

Recently moved to Dubai, Aparna is eager to explore the local art scene and continue her artistic endeavors. She is driven by a desire to share her vision with the world, offering viewers a deeply emotional and cathartic experience through her art. She aspires to create pieces that allow individuals to see the beauty within themselves, hidden in the layers of her work. Her mission is to empower artists worldwide to showcase their art courageously, free from fear of flaws. She believes that art is limitless, with no rules or boundaries.

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The composition captures the brand’s design philosophy: a perfect balance of iconic lines, braveness, and performance. It features intricate calligraphic forms inspired by ancient Arabic calligraphy and arabesque patterns in Islamic architecture. These elements are interwoven with the Lamborghini Countach’s body, creating a captivating illusion of the car floating, enhancing the piece’s spiritual and mysterious aura.

Now, the ‘Spirit of Countach’ stands as one of the esteemed designs featured in the Dreamaway exhibition. Each work of art comes together to transform the House of Sant’Agata Bolognese into a “diffused museum,” showcasing artworks by internationally renowned artists. Commissioned by Lamborghini showrooms worldwide, these creations celebrate 60 years of the brand’s innovation, design and integration into the local culture.

“Of the over 100 pieces created in honour of the 60th anniversary, we are proud that our masterpiece, designed and commissioned in the UAE, has been chosen to be on display at the Automobili Lamborghini Museum’s Dreamaway exhibition,” said Mr Rakan Turki, CEO of Lamborghini Abu Dhabi & Dubai. “Not only does the ‘Spirit of Countach’ highlight our rich cultural heritage and shows a glimpse into the local artistic talent, it also illustrates the Lamborghini brand harmoniously immersed into the UAE culture in the most beautiful manner.”

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The Essence of Islamic Art and Architecture

Key Characteristics

Islamic art and architecture are characterized by intricate geometric patterns, arabesque motifs, and calligraphy. These elements are often used to convey religious and philosophical meanings. Traditional Islamic architecture includes features like domes, arches, minarets, and courtyards, designed not only for aesthetic appeal but also for functionality and symbolism.

Historical Influence

Islamic art and architecture have a rich history, with influences spanning across the Middle East, North Africa, and parts of Europe and Asia. This art form has been evolving for over a millennium, impacting various aspects of design and construction.

Modern UAE Architecture: A Blend of Old and New

Iconic Structures

Several iconic buildings in the UAE showcase the influence of Islamic art on contemporary architecture. Structures like the Burj Khalifa, Sheikh Zayed Grand Mosque, and Emirates Palace seamlessly integrate traditional Islamic design elements with modern architectural techniques.

Burj Khalifa

The Burj Khalifa, the world’s tallest building, incorporates Islamic design principles through its spiral minaret-inspired structure and geometric patterns. The Y-shaped floor plan is based on traditional Islamic architecture, providing stability and enhancing aesthetic appeal.

Sheikh Zayed Grand Mosque

The Sheikh Zayed Grand Mosque in Abu Dhabi is a masterpiece of Islamic architecture. It features classical elements such as domes, minarets, and courtyards, adorned with intricate mosaic tiling, calligraphy, and arabesques. This modern mosque is a testament to the enduring beauty of Islamic design.

Emirates Palace

The Emirates Palace in Abu Dhabi combines luxurious modern amenities with traditional Islamic architectural elements. The use of domes, arches, and extensive ornamental detailing reflects the opulence of Islamic art, creating a majestic and culturally rich structure.

Integrating Islamic Art in Modern Design

Geometric Patterns and Arabesques

Modern UAE architecture frequently incorporates geometric patterns and arabesques. These designs are used in facades, interior decorations, and landscaping, creating a visual connection to Islamic heritage. The use of these patterns not only enhances aesthetic beauty but also pays homage to the mathematical and artistic sophistication of Islamic art.

Calligraphy

Islamic calligraphy is another significant element integrated into modern architecture. Buildings often feature Quranic verses and Arabic script as decorative elements, bridging the past with the present. This use of calligraphy adds a spiritual and cultural dimension to contemporary structures.

Sustainable Design Principles

Islamic architecture traditionally emphasizes harmony with the environment, a principle that resonates with modern sustainable design. Features such as wind towers (barjeel), courtyards, and water features (salsabil) are integrated into contemporary buildings to improve energy efficiency and create comfortable living environments.

The Role of Cultural Preservation and Innovation

Balancing Tradition and Modernity

The UAE’s commitment to preserving its cultural heritage while embracing modernity is evident in its architecture. By integrating Islamic art into contemporary designs, architects ensure that the rich cultural identity of the UAE is maintained even as the country rapidly develops.

Educational and Cultural Institutions

Institutions such as the Sharjah Institute for Heritage and the Louvre Abu Dhabi play crucial roles in promoting the understanding and appreciation of Islamic art and architecture. These institutions help educate the public and inspire future generations of architects and designers.

Conclusion

The influence of Islamic art on modern UAE architecture is profound and enduring. By blending traditional elements with contemporary design, the UAE creates structures that are not only visually stunning but also rich in cultural significance. This harmonious integration ensures that the legacy of Islamic art continues to inspire and shape the architectural landscape of the UAE.

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Whispering Legends– Leila Eskandari, an Iranian artist, created Whispering Legends, which blurs the lines between myth and reality, luring viewers into a dynamic dreamscape of vivid colours, botanical themes, and intricate patterns. Eskandari’s art draws influence from folklore and reflects both personal introspection and universal human experience, to transcend temporal, geographical, and cultural differences

When: Until 28 July,2024
Where: Zawyeh Gallery, Alserkal Avenue Dubai https://zawyeh.net/

Intersections: Tracing Origins– Intersections: Tracing Origins honours the complicated fabric of cultural connectivity via works that explore issues of identity, culture, displacement, and the environment, emphasizing the common threads that bind worldwide groups.

When: Till 23rd May,2024
Where: The Warehouse https://www.instagram.com/goshi_community/

Viva la Frida– Viva la Frida is an intimate portrait of Mexican artist Frida Kahlo’s life, from the physical challenges she endured after a bus accident when she was 18, to the complexities of her marriage to artist Diego Rivera and her refusal to adhere to socially accepted gender roles.

When: Till 31st May,2024
Where: Theatre of Digital Art at Souk Madinat https://toda.ae/

Carpets of Eden, Gardens of Fantasy, Leila Heller-  Curated by Behrang Samadzadegan, it explores how carpets have long been woven into the fabric of human existence, serving as a vessel for storytelling and cultural expression. The exhibition will showcase a collection of intricately crafted carpets, positioned as dynamic canvases of expression as artists breathe new life into this age-old art form.

When: until Friday, 20 September
Address: Alserkal Avenue, Al Quoz 1 https://alserkal.online/

The Echoes of the Orient, Bassam Freiha Art Foundation- This artwork investigate the West’s fascination with the East, navigating the complex interaction of truth and fancy that defines Orientalism. A strong theme of femininity runs throughout, with sensationalized scenes of women playing into Western stereotypes.

When: Until Thursday, 15 August 2024
Address: Al Saadiyat Island, Cultural District, Abu Dhabi https://saadiyatculturaldistrict.ae/

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Textured Art: An Unconventional Art Trend

Visual art mediums like painting experiment with shape, form, and texture. In 2023, we’ve witnessed more textured artwork that provides a tactile experience. Textured paintings are both visible and tactile, giving art a new dimension. They acquired popularity due to interior design trends using textured monochrome artwork as statement pieces. Textured paintings can be simple or intricate, incorporating an aspect of sculpting.

Artists to Follow:

Anukun Hamala (@anukun.hamala): Abstract mixed media artist is known for his textured collages and bold use of colour.

Vanessa Smith (@vanessasmith.art)– Contemporary painter specializing in textured landscapes and seascapes.

Hashtags: #TexturedPainting #LandscapeArt #ContemporaryArt

Pop Art Trends And The Rise Of Maximalism

Pop art, Maximalism, Street art—it’s big, bold, and here to stay. Minimalism is far from obsolete, but the rebirth of Maximalism in fashion has impacted the art world. Bold colours, bright patterns, and rich screen tones were all the rage in 2023. Pop art references current pop culture, and Indian pop art has a significant cultural effect.

Artists to Follow:

Ashley Longshore (@ashleylongshoreart): Contemporary artist celebrated for her maximalist approach to pop art, often featuring celebrities and iconic symbols.

Peter Max (@petermaxart): Iconic pop artist recognized for his psychedelic and colourful artworks, including vibrant portraits and cosmic landscapes.

Hashtags: #PopArt #Maximalism #ColorfulArt #ArtistsOnInstagram

Abstract Paintings

Abstract art uses forms, shapes, colours, textures, and other elements to create a picture without specifying the subject. Instead of depicting truth, symbolism and exaggerated painting techniques are employed. Abstract paintings became more fashionable this year, as enormous abstract paintings began to impact home décor trends. Abstract paintings promote creativity and involvement while providing a personal experience at art exhibitions, as everyone interprets the same artwork differently.

Artists to Follow:

Lena Danya (@lena.danya): Acrylic painter known for mesmerizing abstract artworks.

Simon Berger (@simonberger.art): Swiss artist renowned for his unique hammer stencil portraits.

Hashtags: #AbstractArt #ContemporaryArt #ArtistsOnInstagram

Miniature Art:

Miniature art is gaining popularity on social media, with artists showcasing their incredible attention to detail in tiny masterpieces.

Artists to Follow:

Dina Brodsky (@dinabrodsky): Miniature landscape painter capturing scenes from her travels.

Hasan Kale (@hasankale08): Turkish artist is known for his intricate miniature paintings of everyday objects.

Hashtags: #MiniatureArt #TinyArt #MiniaturePainting

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