Bringing the Past and Present Together Through Art

The Resonance installation, created by graphic designer Maryam Namvar and architect Neda Salmanpour, is an immersive and interactive art piece that invites visitors into a sensory conversation with the past and present of Al Shindagha. Curated by Munira Al Sayegh, the piece comprises three delicately suspended metal panels that move with the wind, reflect shifting light, and echo the rhythms of the creek. The installation draws inspiration from the constant movement of water, trade, architecture, languages, and communities that have long shaped life in this area. The piece’s dynamic nature highlights the cultural evolution of Al Shindagha, incorporating elements of the community’s history, while also adding a contemporary touch.

Promoting Public Art for Community Engagement

Dr. Saeed Mubarak bin Kharbash, CEO of the Arts, Design and Literature Sector at Dubai Culture, stressed that public art plays an essential role in the emirate’s cultural ecosystem. He emphasized that the Dubai Public Art Strategy is a platform for artists to draw from Dubai’s rich cultural heritage and express their creative visions. “Al Shindagha Historic Neighbourhood stands as a witness to the evolution of Dubai into a global city,” said Dr. Bin Kharbash, highlighting the importance of the site in Dubai’s collective memory.

Maryam Namvar and Neda Salmanpour, the artists behind the installation, said, “Al Shindagha serves as a cultural and historical touchstone, and, with our artwork Resonance, we wanted to capture the emotion of being there. We aim to contribute to the ever-evolving culture and context of the city by creating a piece that will evoke thought, emotion, and conversation.”

Continuing Dubai’s Public Art Journey

Resonance is the first in a series of three Dubai Public Art projects, which will continue to bring thought-provoking art into public spaces like the Shindagha Historic District, Al Quoz Creative Zone, and Hatta. This initiative reflects Dubai Culture & Arts Authority and Alserkal Arts Foundation’s ongoing commitment to nurturing artistic excellence among UAE-based artists, fostering deeper connections between the city’s creative community and its people.

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Murals Capturing Tradition, Identity, and Modernity

Among the 13 striking murals, notable works include:

• ‘A Heritage of Night’ by Eman Alrashdi, merging Emirati identity with a Van Gogh-inspired night sky.
• ‘Child’s Play’ by Perryhan El-Ashmawi, portraying childhood joy and creativity.
• ‘Rooted Connections’ by Karim Jabbari, blending Arabic calligraphy and poetry.
• ‘Dream Big’ by Noé Peiró, symbolizing Dubai’s rise from a fishing village to a global city.

Other murals explore urban life, nature, and cultural heritage, showcasing the depth of talent from regional and international artists.

Innovative Sculptures and Installations

Over 40+ installations redefine the landscape, including:

• ‘Shells’ by Dr Mohamed Yousif, depicting Dubai’s coastal history through stone carving.
• ‘Dubai Heart’ by Azza Al Qubaisi, exploring the UAE’s traditions and identity.
• ‘Starry Sky in Dubai’ by Liu Yang, a dynamic light sculpture inspired by celestial movements.
• ‘Moon’ by Mohamed Sahnoun, a calligraphy-adorned marble piece that shifts between full and crescent moon perspectives.

Interactive and Sustainable Art

Artworks like ‘Make-A-Friend’ by Hend Almurid, an installation allowing visitors to build their own sculptures, and ‘Renewal’ by Studio Thirteen X Nordic Homeworx, made from recycled wood, highlight the festival’s focus on community engagement and sustainability.

A Collaborative Effort

The festival is supported by Dubai’s Roads and Transport Authority, Dubai Police, Dubai Municipality, and Dubai Civil Defence, ensuring a well-curated cultural experience.

With immersive art, heritage-inspired creations, and futuristic installations, Sikka 2025 cements Dubai’s position as a thriving hub for artistic innovation and cultural storytelling.

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Taking place at the Cultural and Scientific Association in Al Mamzar, this year’s festival will present seven performances inspired by real-life narratives, featuring various national theatre groups. The opening show, ‘Yurja ‘Adam Al Ittisal’ (‘Please Do Not Call’), written by Mohammed Saleh Al-Sidi and directed by Abdullah Al Hammadi, will be performed by the Al Ain Theatre Group, competing for the festival’s prestigious awards.

The festival promises an engaging lineup of performances and discussions for theatre aficionados. On the second day, attendees will enjoy ‘Sarkhat Amal’ (‘Cry of Hope’), authored by Abdullah Youssef and directed by Ahlam Adel, presented by the Abu Dhabi Arts Society. The third day will feature ‘Uzlah’ (‘Isolation’), penned by Hamad Abdullah Mohammed Al Dhanhani and directed by Ibrahim Mohammed Al Qahoumi, performed by the Dibba Society for Culture Arts and Theatre. On the fourth day, audiences can look forward to ‘Hal Arak’ (‘Do I See You?’) with a script by Ahmed Hassan Abdullah Al Majid and direction by Samir Mohammed Al Balushi, performed by the Khorfakkan Arts Theatre. The fifth day will showcase ‘Illah Bila Dawa’ (‘A Sickness Without a Cure’), written and directed by Zainab Al Mulla, performed by Rubu’ Qarn for Theatre and Performing Arts. The Dubai National Theatre group will present ‘Jiran Al Qamar’ (‘Neighbours of the Moon’), a play created and directed by Abdullah Khalid Al Muhairi. The festival will culminate with ‘Sinariist’ (‘Screenwriter’), performed by the Al Ahli Dubai Theatre, written by Samer Mohammed Ismail and directed by Radwan Ali Al Nouri, followed by an awards ceremony.

Fatma Al Jallaf, Acting Director of Performing Arts at Dubai Culture, highlighted the festival’s role in revitalizing the Emirati theatre scene with new talent that enriches Dubai’s artistic landscape. She stated, “This year marks the 15th anniversary of the festival, which has transformed into an annual gathering for many emerging and established theatrical talents to engage in dialogue with one another on artistic experiences and insights. Over the years, the festival has successfully made a qualitative leap in the performing arts, enhancing the stature of theatre in Dubai and the UAE, while discovering countless talented creatives and developing their skills. The Authority aims to create an artistic and creative environment capable of nurturing young talent, and encouraging them to refine their skills and pursue their passion for the arts. This aligns with Dubai Culture’s responsibilities and sectoral priorities to establish Dubai as a global centre for culture, an incubator for creativity, and a thriving hub for talent.”

Al Jallaf also explained that the selection process for the performances adhered to a comprehensive set of aesthetic, intellectual, and ethical criteria defined by the festival’s organizing committee, chaired by Marai AlHalyan, with members Abdullah Masoud and Ali Jamal. The committee ensured that the performances exhibited cohesion in form and interconnection in terms of concept, execution, direction, and teamwork, while showcasing originality and addressing community and youth issues through innovative direction and scenography.

During the festival, attendees will have the opportunity to participate in a series of practical seminars led by a distinguished group of researchers, artists, and theatre practitioners. These sessions will provide critical analyses of the works presented and their methodologies, as well as evaluate the stage performances.

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This campaign presents residents with exclusive offers and opportunities to elevate their homes into personal havens, appealing to both homeowners and interior design professionals.

Through this initiative, Art of Living seeks to engage the diverse community of Dubai by encouraging residents to reimagine their living environments. The brand aims to stimulate conversations around how homes can be tailored to better reflect the individual tastes and lifestyles of their occupants.

“Our goal is to inspire thoughtful conversations about what truly makes a house feel like home, providing not just products but the tools for meaningful transformation. By engaging with this campaign, we hope to encourage people to create spaces that offer both comfort and personal significance,” stated Dr. Samer Al Omari, Managing Partner & CEO of Art of Living.

As the campaign unfolds during the Dubai Home Festival, it offers the ideal opportunity for residents to envision new possibilities for their homes. Art of Living features over 30 brands in one convenient location, providing a wide array of decor options designed to help turn any house into a true home.

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The creation of the mural was more than just an art project; it was a communal, inclusive activity that brought together diverse groups within the community to foster creativity and promote sustainability. The recycled plastic used for the mural was collected by Tadweer Waste Management, demonstrating the practical application of recycling efforts in an artistic and meaningful way.

The Sustainable City is committed to fostering an educational culture that empowers residents and visitors to engage deeply with environmental issues. Since 2019, the Plaza shops have successfully adopted a single-use plastic-free strategy, significantly reducing the community’s plastic footprint. This initiative aligns with Dubai’s broader environmental strategy, which includes a recently introduced city-wide ban on single-use bags. This ban encompasses plastic, paper, and biodegradable bags, with plans to gradually eliminate other single-use plastic items such as straws, cups, cutlery, and food containers by 2026.

Beyond the mural, The Sustainable City has consistently championed the repurposing of materials. Playgrounds and the animal sanctuary within the community, for instance, have been constructed using repurposed construction waste. These efforts are part of a broader strategy to reduce waste, avoid single-use plastics, and encourage the recycling and reuse of materials.

The unveiling of the communal art mural serves as a powerful reminder of the collective efforts needed to combat plastic pollution. It stands as a testament to the creativity and community spirit of The Sustainable City’s residents and serves as an educational tool to inspire others to think creatively about sustainability.

As Plastic Free July continues, The Sustainable City invites everyone to visit the mural and participate in the ongoing initiatives aimed at reducing plastic waste and promoting a sustainable lifestyle. This project not only highlights the importance of environmental stewardship but also showcases the power of community collaboration in creating a greener, more sustainable future.

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The initiative’s agenda includes six lectures to be delivered by a selection of cultural experts, who will address various topics, including Emirati etiquette and the nation’s role in promoting values of tolerance. It also sheds light on the late Sheikh Zayed bin Sultan Al Nahyan’s life story, as well as the importance of scientific research and the NLA’s part in maintaining it.

The programme commences on 16 May with the ‘Heritage and Emirati Values’ lecture, which will explore the profound impact of Emirati decorum on national identity, highlighting its vital role in reinforcing community values and supporting state policies designed to cultivate a generation steeped in authenticity. The lecture will also examine the principal aspects of Emirati etiquette, its influence on shaping the character of the late Sheikh Zayed bin Sultan Al Nahyan, and its contributions to the founding of the UAE.

The programme will also feature ‘Scientific Research Methods’ on 3 July, and the ‘Emirati Women’s Day’ lecture scheduled for 28 August to celebrate the significant achievements and notable advancements made by Emirati women over the years. On 20 September, an introductory lecture will underscore the pivotal role of the National Library and Archives in safeguarding the state’s documentary heritage, as well as detailing its vision, mission, and the services it offers to researchers and the broader public. ‘Gems from Zayed’s Sayings’ on 1 November will delve into the life of the late Sheikh Zayed, his instrumental role in the establishment of the union, his impact on the local community, and the traits of his compassionate, philanthropic personality. Finally, the ‘Tolerance in the Emirati Community’ lecture on 15 November will discuss the UAE’s leadership in promoting values of tolerance, peace, pluralism, and inclusivity.

These lectures are part of a collaborative effort by Dubai Culture and the National Library and Archives, to activate community participation and strengthen the connection of future generations with Emirati heritage. They will be conducted in Arabic and broadcast free of charge to the community via Microsoft Teams, with live translation to sign language for People of Determination.

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Devitt’s miniature open house poignantly reflects the challenges faced by Brighton residents amidst record-high rental prices and escalating living expenses. With a keen eye for social commentary, she endeavours to capture the absurdity of the current renting crisis and its profound impact on the local community.

Speaking about her inspiration for the project, Devitt expressed her frustration with the exorbitant costs of living in Brighton, which have outpaced wage growth. She remarked, “Renting in Brighton has always been difficult, but with the cost of living rising, it has become ridiculous.” This sentiment echoes the sentiments of many residents grappling with the financial strain imposed by the housing market.

The Portable Open House serves as Devitt’s creative response to the prevailing housing crisis, offering a platform to engage with the community and foster dialogue about the pressing issue. Through her miniature artworks, she invites viewers to contemplate the broader implications of the housing crisis while celebrating the resilience of creativity in the face of adversity.

Devitt’s project has garnered attention as a cathartic outlet for both the artist and her audience, offering a form of escapism amidst the challenges of everyday life. By sparking conversations and encouraging participation, the Portable Open House becomes more than just an art installation—it catalyses social change and collective action.

Featuring miniature artworks contributed by Brighton, Sussex artists and beyond, the portable open house exemplifies the diverse talents and perspectives within the artistic community. As part of this year’s Artist’s Open House programme, the exhibition embarks on a city-wide tour, engaging audiences and prompting reflection on the housing crisis from different viewpoints.

In a time marked by uncertainty and upheaval, Bryony Devitt’s miniature open house serves as a beacon of creativity and resilience, inviting viewers to confront pressing societal issues through the lens of art. As the exhibition traverses the city, it not only showcases the power of artistic expression but also underscores the vital role of artists in advocating for social change and fostering community solidarity.

In the miniature world of Bryony Devitt’s Portable Open House, the housing crisis looms large. However, amidst the intricately crafted artworks, there is hope for a brighter future—one where creativity thrives, and conversations spark meaningful change.

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Titled “Oasis of Stories” and “Their Love Is Like All Loves, Their Death Is Like All Deaths,” these exhibitions mark a significant moment in the burgeoning art scene of Saudi Arabia, reflecting not only AlDowayan’s artistic prowess but also the rich tapestry of narratives woven by the people of AlUla.

The first exhibition, “Oasis of Stories,” currently on display in the AlJadidah Arts District as part of the AlUla Arts Festival 2024 until March 23, serves as a homage to the vibrant heritage and daily lives of AlUla’s residents. AlDowayan’s meticulous drawings, born from workshops attended by 700 participants from diverse walks of life, encapsulate the essence of the region’s cultural metamorphosis and collective identity. Through these intimate renderings, AlDowayan offers a glimpse into the realities, dreams, and aspirations of the local community, ensuring their narratives endure as a part of AlUla’s artistic legacy.

Moreover, “Oasis of Stories” foreshadows AlDowayan’s ambitious desert installation, slated for completion in 2026, wherein the tales and drawings of AlUla’s inhabitants will be immortalized within the labyrinthine walls of the Old Town, bridging the past with the present in a monumental testament to cultural continuity.

Speaking about her immersive experience within the community, Manal AlDowayan expressed her commitment to fostering a space for the contemporary inhabitants of AlUla to share their stories, emphasizing the importance of preserving these narratives for future generations.

Wadi AlFann’s lead curator, Iwona Blazwick, echoed this sentiment, highlighting the significance of integrating modern artistic expressions into AlUla’s timeless desert landscape. Blazwick emphasized the valley’s rich history, spanning millennia of human presence evidenced by intricate rock art and petroglyphs while envisioning a harmonious blend of tradition and innovation in the forthcoming artistic commissions.

In parallel, AlDowayan’s second exhibition, “Their Love Is Like All Loves, Their Death Is Like All Deaths,” presented in collaboration with the Sabrina Amrani Gallery, explores themes of ruin and heritage inspired by the ancient tombs of AlUla. Through sculptural works, drawings, and intricately woven Sadu textiles, AlDowayan invites viewers on a contemplative journey through time, where echoes of the past intertwine with the present.

With a keen focus on community engagement and inclusivity, AlDowayan’s exhibitions serve as catalysts for cultural dialogue and artistic expression, embodying Saudi Arabia’s transformative moment in the realm of public art. As the Kingdom embraces a vision where art becomes ingrained in its communities, AlDowayan’s visionary approach sets a precedent for a vibrant and inclusive cultural landscape, where every voice finds resonance and every story is cherished.

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Community Connection:

Murals often serve as a communal canvas, transforming public spaces into dynamic galleries. Artists engage with local communities to capture the essence of a neighborhood, reflecting its diversity, history, and collective identity.

Social Commentary:

Many murals serve as visual critiques, addressing social, political, and environmental issues. Street artists worldwide utilize this medium to spark conversations and challenge societal norms, creating a powerful dialogue between the artwork and the viewer.

Technological Innovations:

With advancements in technology, muralists are incorporating new techniques and materials into their work. From augmented reality elements to interactive murals, artists are pushing boundaries and embracing innovation, adding an immersive dimension to their creations.

Global Collaboration:

Murals often transcend geographical boundaries, with artists collaborating across borders to create large-scale, impactful works of art. This global exchange of ideas and styles enriches the mural art scene, fostering a sense of interconnectedness within the artistic community.

Environmental Impact:

Some muralists are championing eco-friendly practices by using sustainable materials and techniques. Additionally, they often engage with environmental themes, drawing attention to ecological challenges and the importance of conservation.

Urban Regeneration:

Murals play a crucial role in urban revitalization efforts. Cities worldwide are commissioning artists to transform neglected spaces into vibrant cultural hubs, attracting tourists and fostering a sense of pride within local communities.

Celebrating Diversity:

Murals celebrate cultural diversity by incorporating elements from different traditions, folklore, and histories. Artists use this medium to amplify underrepresented voices, creating a visual tapestry that reflects the multiplicity of human experience.

Temporary vs. Permanent:

While some are intended to be permanent fixtures in urban landscapes, others embrace the impermanence of street art. Festivals and events often feature temporary murals, highlighting the transient nature of this evolving art form.

Economic Impact:

Beyond their cultural significance, murals can contribute to local economies by attracting tourism and promoting businesses in the surrounding areas. Cities recognize the economic benefits of a vibrant mural scene and actively support public art initiatives.

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Jeremy Serna, the dynamic owner of Painting With Friends in Brownwood, stands out with his expressive watercolours and innovative Paint Parties. A seasoned artist, demonstrator, and teacher, Serna is a familiar face at both the Brownwood Art Center and 1117 Studios and Gallery in Abilene. For him, the essence of art lies in plein air painting: “Life and nature are the best teachers,” he remarks.

From San Angelo, Keith Stinnett brings a multifaceted approach to art, experimenting with lithography, sculpture, and wood carving. His vibrant acrylic paintings, showcased at renowned venues like the Visitor Center and the Pop Art Museum in San Angelo, encapsulate his philosophy: “To blur the line between Art and Living every day!”

A. Michelle Fox, a prolific mixed-media artist, describes herself as a “contemporary historian” capturing life’s moments in vivid acrylic and oil paintings. Her work, rooted in conveying the emotive essence of our world, is currently showcased at 1117 Studios and Gallery in Abilene, where she also imparts her knowledge through art lessons.

Celty Kearney, renowned for her art instruction at Howard Payne University in Brownwood, channels her creativity into human and pet portraits, as well as captivating murals. With every brushstroke, Kearney’s mission is clear: “I’m leaving a colorful mark on the canvas of life, while inspiring others to embrace their creative spirits.”

Stephanie R. Prosser, a distinguished studio artist and muralist, has made an indelible impact on the Big Country through her vibrant paintings and intricate commercial signage. Her artistic influence extends beyond her studio, as she nurtures creativity as the Owner of 1117 Studios & Gallery in Abilene, a thriving hub for 10 resident artists.

The January exhibit, a testament to the region’s rich artistic landscape, will be on display through Jan. 24. Gallery enthusiasts can explore these captivating works from 2-6 pm, Monday to Friday. The Brownwood Art Association, a welcoming community for artists and volunteers, invites interested individuals to connect through Facebook, visit their website at www.brownwoodart.net, or drop by the Art Center on weekdays from 2-6 pm.

As the new year unfolds, the Brownwood Art Center continues to be a beacon for artistic expression and community engagement, bridging the gap between local talent and art enthusiasts. Join the journey and discover the vibrant world of art right in the heart of Brownwood.

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