Opening Ceremony

The event began with the UAE National Anthem, followed by a video highlighting the festival’s growth and success since 2011. The video emphasized the festival’s artistic achievements and its popularity with audiences of all backgrounds.

His Highness then witnessed the opening show, “An Extraordinary Vision.” The show celebrated the leadership of H.H. Sheikh Dr. Sultan bin Mohammed Al Qasimi, showcasing his vision for Sharjah as a global center for culture, education, and innovation.

In his speech, H.E. Khalid Jasim Al Midfa, Chairman of SCTDA, thanked His Highness for attending the opening. He praised the vision of His Highness Sheikh Dr. Sultan bin Mohammed Al Qasimi and acknowledged his continued support for the development of Sharjah.

Al Midfa also highlighted the festival’s importance in supporting small and medium-sized businesses. More than 70 national projects are participating in the Light Village. The festival provides a platform for creative artists to showcase light installations that convey meaningful messages.

Sharjah Light Festival Highlights

The 2025 Sharjah Light Festival features stunning light displays at 12 key locations. The event blends art and technology, celebrating Sharjah’s architectural beauty and cultural heritage. Some of the standout shows include “A Journey through Light and Culture,” which transforms Sharjah Mosque into a dynamic canvas, “The Story of the Wadi,” depicting Sharjah’s history through themes of water, culture, and ancient traditions, and “The Light of the East,” a 3D projection show about Khorfakkan.

Sharjah Light Festival Expanding the Festival’s Reach

This year’s edition adds new locations like Sharjah Research, Technology, and Innovation Park, Al Heera Beach, and Al Hefaiyah Lake. These additions expand the festival’s cultural impact. The event continues to attract visitors from around the UAE and beyond, solidifying its place on Sharjah’s cultural calendar.

The Light Village: A Hub for Creativity and Entrepreneurship

The Light Village will run until February 23. It will feature interactive exhibits, a museum, and family-friendly activities. Local SMEs will showcase their products, ranging from food to retail experiences. The festival continues to provide opportunities for entrepreneurs to engage with the public and gain visibility.

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Artists and Their Unique Concepts

The exhibition features Simon Denny, who integrates blockchain technology into hybrid paintings inspired by Benz concept cars. Salomé Chatriot merges organic elements with digital renderings of breath, while Paul Seidler explores alternative time systems. Sarah Friend redefines digital security through an automotive Smart Key, and Theo Triantafyllidis introduces a multiplayer game reimagining digital interaction. Additionally, Harm van den Dorpel presents a blockchain-based collection reflecting the motion of spoked wheels.

Mercedes-Benz Interactive Events and Closing Performance

To engage audiences further, Mercedes-Benz has curated interactive events, including:

• Panel Discussion on prototypes in art and industry – February 14
• Curator-led tour with Christopher Dake-Outhet – February 15
• Artist-led workshop on digital identity – March 1
• Art performance and discussion with Salomé Chatriot – March 21

Bridging Automotive Design and Creativity

As part of its continued support for the arts, Mercedes seeks to bridge automotive design with creative expression, offering a new perspective on the future of innovation through art.

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The portrait, created by Ai-Da Robot, a humanoid robot artist, was inspired by mathematician and computer scientist Alan Turing, known for his groundbreaking work in artificial intelligence. The 64-inch by 90-inch mixed-media piece on canvas attracted 27 bids during the Digital Art day sale on November 7. Ai-Da Robot employs a combination of cameras in its eyes, AI algorithms, and a robotic arm to create art.

“This auction marks a significant moment in the art world, where Ai-Da’s work brings attention to the societal and artistic transformations occurring as AI continues to evolve,” said Aidan Meller, the U.K.-based art dealer and creator of Ai-Da. “The A.I. God piece raises important questions about agency and power as AI technology continues to grow.”

Ai-Da Robot, named after Ada Lovelace, the pioneering computer programmer, has drawn attention for its unique ability to blend technology and creativity. The robot is often depicted with a black bob wig, dressed in a t-shirt and denim overalls.

Sotheby’s vice president and digital art expert Michael Bouhanna commented on the growing demand for AI-based art. “After engaging with key collectors at the intersection of art and technology, it was clear there was significant interest in Ai-Da’s A.I. God portrait,” Bouhanna said. “While there’s limited historical data to gauge the market for singular AI works, demand for this piece was undeniably strong.”

The artwork had previously been displayed at the AI for Good Global Summit held at the United Nations in Geneva in May 2024, where it was featured as part of a five-panel Polyptych.

The auction result for Ai-Da’s portrait made up a significant portion of Sotheby’s Digital Art day sale, which totaled $1,485,840. Other notable works included pieces by digital artists such as Refik Anadol, PAK, and Xcopy. However, the highest-estimated work, Xcopy’s DOOM Party, did not sell at the auction.

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AlSafi, who initially pursued computer science, found his true calling in art and has since developed a unique style combining art, photography, and graphic design. His ability to blend digital knowledge with contemporary artistic practices has earned him recognition in the art world.

“As an artist who merges digital knowledge with contemporary art, I felt this prize was a perfect fit for my practice,” AlSafi said.

His submission for the prize explores the interplay between perception and reality, particularly in relation to the desert landscape, which holds deep personal significance for him as his birthplace.

“Often perceived as a barren void, the desert, my birthplace, conceals a spiritual richness that far exceeds its arid appearance,” AlSafi explained in an email. “By merging code and creativity, we aim to reveal the latent richness of this ancient landscape, inviting viewers to contemplate a profound question: Is emptiness merely a mirage, masking the boundless depths of existence waiting to be discovered?”

AlSafi acknowledged the challenges of using AI in art, noting that it forces a re-evaluation of creativity, authorship, and human experience. “It redefines our understanding of creativity, authorship, and the human experience. It paves the way for a new realm of artistic exploration, where traditional boundaries are fluid, and the concept of art is constantly evolving,” he added.

The Sigg Art Prize drew more than 300 applicants from 70 countries, with only seven making the shortlist. The winner will receive a cash prize of $10,968. AlSafi joins fellow finalists Dana-Fiona Armour, Léa Collet, Agnieszka Kurant (in collaboration with John Menick), Harrison Pearce, Aaron Scheer, and Sasha Stiles in the competition for the coveted award.

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Caillard’s artistic practice revolves around the juxtaposition of classical and modern aesthetics. He breathes new life into ancient statuary by meticulously carving figures from pristine marble. These figures, reminiscent of Greek or Roman gods and goddesses, become the foundation for his digital interventions. Using advanced technology, Caillard overlays these classical forms with abstract digital elements, creating a dynamic interplay between the tangible and the virtual.

The resulting works are captivating and thought-provoking. The smooth, polished marble figures evoke a sense of history and permanence, while the digital elements introduce a layer of fluidity and dynamism. This marriage of past and present invites viewers to contemplate the evolution of art forms and the ever-increasing influence of technology in our world.

Caillard’s digital creations are not merely embellishments but integral to his sculptures. Often, they obscure or distort the classical figures, forcing viewers to engage with the work more interactively. By manipulating light, colour, and form, Léo Caillard creates a sense of mystery and intrigue, prompting viewers to question their perceptions and explore the deeper meanings embedded within the artwork.

Léo Caillard’s artistic journey is one of innovation and exploration. He carves a distinct niche in the contemporary art landscape by merging traditional sculpting techniques with cutting-edge digital tools. His sculptures transcend mere aesthetics, acting as bridges between the past and present, inviting viewers to ponder the ever-evolving relationship between human creativity and technology.

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One of Chung’s most notable achievements is her piece “MEMORY (Drawing Operations Unit: Generation 2),” which has earned its place in the permanent collection of the prestigious Victoria and Albert Museum. This artwork represents a milestone in the intersection of art and technology, being the first AI model to be collected by a major institution—a testament to Chung’s pioneering spirit and innovative approach.

Chung’s influence extends far beyond the realm of art, as she has been recognized as a Cultural Leader at the World Economic Forum and named one of TIME’s 100 Most Influential People in AI. Her work has been showcased in renowned institutions and events worldwide, including the Espoo Museum of Modern Art, Art Basel, MIT Media Lab, and the Tribeca Film Festival, among others.

In addition to her impressive exhibition history, Chung’s work has garnered widespread acclaim in the media, with features in publications such as Forbes, The New Yorker, and Wired, highlighting the profound impact of her visionary artistry.

A seasoned speaker and researcher, Chung has graced international conferences and platforms, sharing her insights on human-machine collaboration and the future of art and technology. From the United Nations to the Cannes Lions Festival, Chung’s voice resonates across diverse arenas, sparking dialogue and inspiring innovation.

Recognized for her outstanding contributions to the arts and sciences, Chung has received numerous accolades and awards, including the Lumen Prize for Art in Technology and being selected as one of the Top 20 New Visual Artists by Print Magazine.

As the founder of SCILICET, an experimental studio based in London, Chung continues to push the boundaries of artistic expression, challenging conventions, and redefining the possibilities of human-machine interaction in the creative process. With her relentless pursuit of innovation and her profound vision for the future, Sougwen Chung remains a trailblazer in the ever-evolving landscape of contemporary art.

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Several class-action lawsuits in the United States have drawn attention, with artists discovering thousands of images created by AIs using their work without permission. Ai Weiwei dismissively commented, “That’s not a problem. I think that kind of art should [have died] a long time ago,” as he questioned the validity of art teaching centred on producing “realistic” images, considering AI’s ability to replicate them almost instantly.

The dissident artist went further, suggesting that even legendary figures like Pablo Picasso and Henri Matisse would have reconsidered their artistic approach if AI had been present in their era. Ai Weiwei contended, “It’d be just impossible for them to still think [the same way].”

Undeterred by the rise of artificial intelligence, Ai Weiwei announced his next project, a collaboration with an AI named “Ai vs AI.” The project involves both himself and the AI answering a set of 81 questions over 81 days. The questions, ranging from the endurance of love and hate to the guilt of Edward Snowden, will be projected on prominent screens worldwide, including Piccadilly Circus, and the answers will be subsequently posted online.

Describing the project as “a bit of fun,” Ai Weiwei likened it to throwing a pebble across a pond to observe the ripple effect. However, he cautioned about the potential dangers of an overly powerful and globally relied-upon artificial intelligence. Drawing parallels to historical events, he expressed concerns that an AI-dominated society might resemble the totalitarian ideologies of the Third Reich or the Cultural Revolution in China.

Ai Weiwei, born in Beijing in 1957, has been an outspoken critic of the Chinese authorities throughout his career. Raised in labour camps after his father’s exile, the dissident artist is no stranger to challenging the status quo. His recent involvement in a controversy over free speech and the Israel-Gaza conflict led to the indefinite postponement of his exhibition by the Lisson Gallery.

Reflecting on his role as an artist, Ai Weiwei emphasized the responsibility to ask difficult questions and challenge the powerful. Despite facing backlash for his outspoken views, he asserted, “My mission is about asking questions and not massaging the powerful, not to make them feel comfortable. I’m undertaking a dangerous mission, and so far, I’m still alive.”

As technology continues to reshape the landscape of artistic creation, Ai Weiwei’s critique serves as a thought-provoking contribution to the ongoing dialogue on the intersection of art and artificial intelligence.

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Laura’s contributions to art and literature have been significant through publishers in Paris, England, and Switzerland. Her artistic and educational books have enriched and inspired readers and art enthusiasts alike.

Laura’s work has been exhibited in various cities, including San Francisco, Munich, Zurich, Paris, Basel, and Milan.

In 2022, Laura’s work was selected for the Lunar Codex Project’s Polaris Collection. This contribution will be preserved in a lunar time capsule and left on the moon for future generations.

1) Your work seamlessly combines digital art with literature, creating a unique synergy. How did your journey in both fields influence each other, and what role does storytelling play in your artistic process?

I have always loved reading and discovered my passion for mythology about 10 years ago, which I then began integrating into my work. During a rather dark phase of my life, I developed an interest in poetry and psychology. These areas have enriched my work and helped me deal with my own emotions more effectively. Originally, storytelling wasn’t particularly important to me; I simply wanted to express my emotions and feelings in some form. Eventually, this led to a sort of storytelling developing quite naturally.

2) Having exhibited your art in various cultural hubs globally, from San Francisco to Zurich, how do diverse cultural landscapes influence or inspire your creative process? Are there specific experiences from these international exhibitions that stand out to you?

It feels wonderful to have had the opportunity to exhibit my work in so many different places. I am quite shy and prefer to stay in the background, so I rarely visit exhibitions… even if they are my own. However, I recall one exhibition where I observed an older woman standing in front of one of my paintings for a long time. After a while, she noticed me through the crowd and gave me a long look that made me feel as though she understood everything I felt while painting that piece, possibly because she had felt it herself at some point. Maybe I misinterpreted the whole situation, but that woman gave me the feeling that what I do has value, which was hard for me to comprehend at the time.

3) Your artwork was chosen for the Lunar Codex Project’s Polaris Collection, a remarkable honor. Can you share the emotions and thoughts that went through your mind when you learned about this recognition, and what does it mean for you as an artist?

When I was informed about the selection, I must have read the message about 5 or 6 times because I thought I was reading it wrong, as English is not my first language. I think I’ll only truly believe it once the Polaris Collection has been placed. If this is all true and not just a bad joke from the sponsors and SpaceX, it’s impossible to put into words how infinitely grateful I am for such an honor.

4) Your portraits often feature strong and dynamic female characters. What drives this thematic choice, and how do you hope your depictions contribute to broader conversations about empowerment and representation in the art world?

My early career was marked by sexual assaults and harassment. As someone with a rather quiet personality, I was not taken seriously by my male superiors. My skills, despite my qualifications, played no significant role. Since I eventually began to feel exactly as I was treated, I wanted to express in some way that I also possess strength. The characters I created took on a kind of role-model function for me. It’s difficult to say whether I hope this leads to a discussion in the art world, as I am simply sharing my journey in the search for myself.

5) The intersection of art and technology is ever-evolving. How do you navigate the rapidly changing landscape of digital art tools, and what technological advancements have had the most significant impact on your creative process?

I think the biggest impact for me was the Procreate drawing app that became available for the iPad a few years ago. Until then, there were no good drawing apps for the iPad, and the better ones like Photoshop were not yet available for it. And then, of course, there are well-known artist no-gos like Midjourney, Dall-E, or other AI tools. I’ve tried these apps, but I’m still not sure if and how these tools could support me. Sure, they can make the work easier or take it over completely, but where is the dopamine hit when you don’t achieve anything yourself?

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A significant aspect of Ko’s artistic journey unfolds through social media platforms, where he engages with a global audience. This digital interaction catalyzes his creative process, allowing him to connect with strangers worldwide and draw inspiration from their unique narratives. The characters he encounters in these virtual interactions find expression through his distinctive watercolour painting techniques, characterized by an emphasis on randomness. This interplay between digital encounters and traditional painting techniques underscores Ko’s ability to navigate and integrate diverse artistic mediums.

Ko’s artistic endeavours are further enriched by his diverse professional experiences, including collaborations with renowned brands like SK Energy. His contributions to advertising campaigns, such as the ‘Wall Paper’ and ‘Collage’ advertisements, highlight his versatility as an artist and his ability to adapt his skills to various creative contexts.

His participation in numerous group exhibitions, including those at K.U.M.A and Gangneung Art Museum and individual exhibitions at prominent venues like United Gallery and Gana Art Space, showcases the breadth and depth of his artistic exploration. Additionally, his recognition at esteemed festivals and screenings, such as Indie-Anifest and Seoul New Media Festival, further solidifies his position in the contemporary art scene.

Ko Byung Jun’s artistry is a harmonious blend of digital engagement, traditional techniques, and diverse influences. His work serves as a testament to the evolving landscape of contemporary art, where boundaries are continually redefined, and new avenues for creative expression are explored. Through his innovative approach, Ko Byung Jun invites viewers to contemplate the intersections of technology, identity, and artistic creation in the modern world.

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This extraordinary installation will serve as a testament to the immense potential of harnessing carbon-neutral energy and a sculptural representation of Lexus’s cutting-edge electrified vehicle model. The installation will feature organic photovoltaic (OPV) cells, showcasing the intersection of art, technology, and sustainability.

The LF-ZC (Lexus Future Zero-emission Catalyst) concept, which forms the foundation of this collaboration, is a symbol of Lexus’s commitment to innovation, sustainability, and its promise to enrich the lives of its customers. It is a part of the upcoming next-generation Lexus BEV lineup, offering elevated driving dynamics, uncompromised design, and exclusive services.

This project represents Marjan van Aubel’s first public installation in Miami and marks the second year of collaboration between Lexus and ICA Miami. Together, they aim to inspire visitors to recognize the positive impact of creative design on sustainability and environmental consciousness.

To bring this installation to life, van Aubel’s studio is partnering with Random Studio, a Certified B Corporation® known for creating immersive spatial experiences globally. The installation will be constructed at scale, featuring OPV sheets that cast colorful shadows as sunlight interacts with them throughout the day. Light and motion sensors within the sculpture will make it an engaging, interactive experience, further highlighting the potential of Lexus’s electric revolution.

Marjan van Aubel, renowned for her innovative solar designs that seamlessly integrate sustainable energy into daily life, shared her enthusiasm for the collaboration, saying, “Lexus’ dedication to innovation and craftsmanship resonates with the ethos of my own practice, which is that functional design can be both sustainable and aesthetically beautiful. With this collaboration, I hope we can bring light to the concept that sustainable design solutions are works of art.”

Brian Bolain, Lexus’ global head of marketing, expressed the brand’s honor at working with Marjan van Aubel and their shared commitment to sustainable, human-centric design.

Alex Gartenfeld, Irma and Norman Braman Artistic Director at ICA Miami, emphasized the importance of environmental sustainability and expressed delight in providing a platform for Marjan van Aubel’s work during Miami Art Week.

In addition to the installation, Lexus will host the Lexus Art Series: Art and Innovation talks with Whitewall, featuring discussions and talks between Lexus ambassadors and industry leaders in the art and design sectors.

About Marjan van Aubel: Marjan van Aubel Studio is an award-winning innovative solar design practice dedicated to bringing solar energy into daily life. Their work aims to integrate solar power seamlessly into environments, buildings, and objects. Notable projects include Sunne, Current Table, Power Plant, and the roof of the Netherlands Pavilion at the World Expo 2020 in Dubai.

About Institute of Contemporary Art Miami: The Institute of Contemporary Art, Miami, is a cultural institution dedicated to promoting experimentation in contemporary art, advancing new scholarship, and fostering the exchange of art and ideas. It offers free admission and plays a central role in developing cultural literacy in the Miami region.

About Lexus: Lexus, a global luxury automotive brand, is committed to delivering exceptional craftsmanship, bold design, and exhilarating performance. They are dedicated to crafting experiences that excite and change the world.

About Random Studio: Random Studio is a spatial experience design studio and B-corporation based in Amsterdam and Paris, focused on creating dynamic spaces that evolve based on interactions with people, architecture, nature, and technology.

For more information, please visit the respective websites of Marjan van Aubel, ICA Miami, Lexus, and Random Studio.

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