The portrait, created by Ai-Da Robot, a humanoid robot artist, was inspired by mathematician and computer scientist Alan Turing, known for his groundbreaking work in artificial intelligence. The 64-inch by 90-inch mixed-media piece on canvas attracted 27 bids during the Digital Art day sale on November 7. Ai-Da Robot employs a combination of cameras in its eyes, AI algorithms, and a robotic arm to create art.

“This auction marks a significant moment in the art world, where Ai-Da’s work brings attention to the societal and artistic transformations occurring as AI continues to evolve,” said Aidan Meller, the U.K.-based art dealer and creator of Ai-Da. “The A.I. God piece raises important questions about agency and power as AI technology continues to grow.”

Ai-Da Robot, named after Ada Lovelace, the pioneering computer programmer, has drawn attention for its unique ability to blend technology and creativity. The robot is often depicted with a black bob wig, dressed in a t-shirt and denim overalls.

Sotheby’s vice president and digital art expert Michael Bouhanna commented on the growing demand for AI-based art. “After engaging with key collectors at the intersection of art and technology, it was clear there was significant interest in Ai-Da’s A.I. God portrait,” Bouhanna said. “While there’s limited historical data to gauge the market for singular AI works, demand for this piece was undeniably strong.”

The artwork had previously been displayed at the AI for Good Global Summit held at the United Nations in Geneva in May 2024, where it was featured as part of a five-panel Polyptych.

The auction result for Ai-Da’s portrait made up a significant portion of Sotheby’s Digital Art day sale, which totaled $1,485,840. Other notable works included pieces by digital artists such as Refik Anadol, PAK, and Xcopy. However, the highest-estimated work, Xcopy’s DOOM Party, did not sell at the auction.

The post Ai-Da Robot’s AI-Powered Artwork Sells for $1 Million at Sotheby’s Auction appeared first on Magzoid Magazine.

Aidan Meller emphasized Ai-Da’s role in discussing the societal impact of AI advancements, saying, “Art is a way of discussing the incredible changes in society that are happening because of technology.”

Michael Bouhanna, Sotheby’s digital art head, commented on the high demand, stating that collectors’ enthusiasm has influenced the valuation. Previously exhibited at the UN’s AI for Good Global Summit, Ai-Da’s work symbolizes a pivotal moment in AI art’s evolution.

Additional digital artists, including Refik Anadol and PAK, will be part of the auction’s offerings.

The post Sotheby’s Auctions First AI-Generated Portrait appeared first on Magzoid Magazine.

Renowned for his avant-garde installations seamlessly blending technology and art, Anadol has graced the facades of skyscrapers, showcased his creations at Christie’s auction house, held a solo exhibition at MOMA, and even left an indelible mark at the Grammy Awards.

The focal point of Anadol’s recent presentation at Davos was the debut of “Living Archive: Nature (2024),” an early experimental output from the Large Nature Model. This groundbreaking AI model, a world-first in open-source generative AI dedicated exclusively to nature, utilized data from National Geographic and the Smithsonian Institute. The result is a visually stunning amalgamation of nature scenes, ranging from breathtaking realism to fantastical landscapes, providing viewers with a breakthrough multisensory experience by incorporating sounds and smells.

Collaborating across borders and languages, Anadol’s studio, comprising professionals from diverse backgrounds, embraces principles of inclusion and equity throughout production. The Living Archive project is intended to be open to the public, allowing individuals to create personalized nature experiences.

Anadol, at the age of 39, has not only pushed the boundaries of art and technology but has also collaborated with scientists to create truly unique artistic experiences. His pioneering spirit led him to partner with tech giants like Google, Microsoft, NVIDIA, and IBM, as well as prestigious institutions such as NASA/JPL, MIT, and Harvard University.

In a recent innovative twist, Anadol’s team collaborated with perfume maker Firmenich in Geneva to introduce scents accompanying his visual creations. These scents adapt to the on-screen visuals in real-time, reaching the viewer’s nose through a device worn around the neck. For instance, as a forest scene unfolds, the audience may be immersed in the scents of the forest before and after the rain begins, creating a multisensory masterpiece.

Refik Anadol is just one luminary among the 18 remarkable speakers set to grace the stage at the Imagine Solutions Conference on March 4, 2024. Attendees will have the exclusive opportunity to witness firsthand the convergence of cutting-edge science, breakthrough technologies, and life-saving innovations.

The ISC promises a day filled with inspiration and awe, offering attendees the chance to connect with extraordinary experts, delve into groundbreaking technologies, and witness the transformative power of the intersection between art and artificial intelligence. Don’t miss this unique opportunity to be at the forefront of the future, where creativity meets technology, at the Imagine Solutions Conference.

The post Refik Anadol: Revolutionizing Art and AI Living Archive Takes Center Stage appeared first on Magzoid Magazine.

Several class-action lawsuits in the United States have drawn attention, with artists discovering thousands of images created by AIs using their work without permission. Ai Weiwei dismissively commented, “That’s not a problem. I think that kind of art should [have died] a long time ago,” as he questioned the validity of art teaching centred on producing “realistic” images, considering AI’s ability to replicate them almost instantly.

The dissident artist went further, suggesting that even legendary figures like Pablo Picasso and Henri Matisse would have reconsidered their artistic approach if AI had been present in their era. Ai Weiwei contended, “It’d be just impossible for them to still think [the same way].”

Undeterred by the rise of artificial intelligence, Ai Weiwei announced his next project, a collaboration with an AI named “Ai vs AI.” The project involves both himself and the AI answering a set of 81 questions over 81 days. The questions, ranging from the endurance of love and hate to the guilt of Edward Snowden, will be projected on prominent screens worldwide, including Piccadilly Circus, and the answers will be subsequently posted online.

Describing the project as “a bit of fun,” Ai Weiwei likened it to throwing a pebble across a pond to observe the ripple effect. However, he cautioned about the potential dangers of an overly powerful and globally relied-upon artificial intelligence. Drawing parallels to historical events, he expressed concerns that an AI-dominated society might resemble the totalitarian ideologies of the Third Reich or the Cultural Revolution in China.

Ai Weiwei, born in Beijing in 1957, has been an outspoken critic of the Chinese authorities throughout his career. Raised in labour camps after his father’s exile, the dissident artist is no stranger to challenging the status quo. His recent involvement in a controversy over free speech and the Israel-Gaza conflict led to the indefinite postponement of his exhibition by the Lisson Gallery.

Reflecting on his role as an artist, Ai Weiwei emphasized the responsibility to ask difficult questions and challenge the powerful. Despite facing backlash for his outspoken views, he asserted, “My mission is about asking questions and not massaging the powerful, not to make them feel comfortable. I’m undertaking a dangerous mission, and so far, I’m still alive.”

As technology continues to reshape the landscape of artistic creation, Ai Weiwei’s critique serves as a thought-provoking contribution to the ongoing dialogue on the intersection of art and artificial intelligence.

The post Ai Weiwei Challenges AI-Generated Art, Declaring It ‘Meaningless’ appeared first on Magzoid Magazine.

Proudly presented by Golden Loaf and Golden Ribbons Chocolates, “Harmony” is not merely an exhibit. It’s a sanctuary where cutting-edge technology meets sentimental storytelling. The heart of this sanctuary is a meticulously designed art installation filled with AI-generated artworks. These masterpieces unfold a tale of hope, despair, unity, challenges, and triumph, mirroring the breast cancer journey from diagnosis to recovery. As visitors navigate through this winding journey, they not only witness art but also feel the depth and flow of emotions that each artwork evokes. It’s an intimate portrayal, ensuring breast cancer narratives are not only heard but profoundly felt.

Through the installation, one doesn’t just hear the stories—they live them, they breathe them, and they feel them.  As guests navigate the installation, they confront the inescapable truth that, unlike them, there is no exit for those battling breast cancer. The installation yields not just the journey of a breast cancer patient but also the internal turmoil. The tears that fall from the eyes of our guests serve as reminders—reminders that while they may only experience this heartening simulation for a couple of minutes, for these patients, this is an ongoing, lifelong fight. Their unwavering bravery is what sets alight to their eternal torch of hope within.

Yet, the purpose of this installation extends far beyond a momentary engagement. It screams for each one of us to undertake a profound transformation rooted in empathy and in using our voices to uplift and empower those who battle silently and often go unheard. Through this initiative, each one becomes a beacon and a voice for the fighters, survivors, and those we have lost.

The spokesperson of Magzoid Magazine remarked, “Art has forever been a canvas for humanity’s most profound stories. With ‘Harmony’, we’ve embarked on uncharted territories. Here, AI doesn’t replace the artist; it portrays the artist, understanding and echoing the deeply emotional journey of breast cancer survivors.”

A visitor, deeply moved by the installation, shared, “It is amazing to see how art can be fused with AI to deliver such thought-provoking messages within society. A family member of mine has been suffering from the same. I was literally in tears as I walked through the installation, witnessing the vivid stages of the journey, from the challenges to the eventual healing.”

From the emotional journey of the installation to the magnificent art exhibit on the first floor of the mall by UAE-based artists who stand in solidarity for the cause, showcasing their impressive pieces of work for visitors to gaze through and learn from.

The principal presenter, Golden Loaf, as a group, has long championed initiatives with social causes. “In Harmony, we see more than an installation. It’s a beacon, a statement, a call to awareness,” shared the CEO of Golden Ribbon Chocolates. Complementing the vision are the supporting pillars: Debros Exhibitions and Events, ARTOZE Gallery and Exhibitions, DRNK, Al Mufeed Printing Press, Evolution Events, and Rajasthan Restaurant.

“Harmony” is a movement, a journey, a dialogue, and a statement. While its grand unveiling graced Mega Mall on October 15th, the experience will linger until October 31st, waiting to captivate, educate, and inspire.

For the residents of the UAE and beyond, the call is clear: Venture into Mega Mall. Immerse yourself in a world where art and AI converge, where stories aren’t just told; they’re lived, felt, and remembered.

The post AI Meets Art: ‘Harmony’ Installation Sheds Light on Breast Cancer at Mega Mall in the UAE appeared first on Magzoid Magazine.

Dread’s artistic journey has been nothing short of extraordinary. His unparalleled skill and innovative approach to art have garnered global recognition, with his pieces proudly displayed in galleries around the world. What sets his work apart is its ability to transcend the confines of traditional art, transcending into a realm where technology and creativity harmoniously coexist.

Notably, Dread’s artwork has found a diverse and devoted following, attracting admirers from all walks of life. Celebrities such as Paris Hilton and Jamie Foxx have proudly showcased his distinctive creations, recognizing the transformative power of his art. Dread’s work serves as a bridge that connects the threads of the past, present, and future, inspiring profound conversations and introspection.

Beyond the realm of art enthusiasts, Dread’s work has captivated cultural enthusiasts and sparked thought-provoking dialogues on a global scale. His pieces become catalysts for discussions on identity, heritage, and the role of technology in art. Each creation is a testament to the artist’s deep connection with his African roots, his reverence for hip-hop culture, and his exploration of the weed movement’s symbolism.

Jeffery Dread’s art invites viewers to engage with layers of intricate patterns, vibrant colors, and evocative symbolism. It encourages them to challenge their own preconceptions and explore new perspectives. Whether you are a seasoned art aficionado or a casual observer, Dread’s work has the power to stir emotions and provoke thought.

In a statement, Dread expressed his excitement about the possibilities that emerge from combining artificial intelligence with his creative vision. He sees this collaboration as a means to push the boundaries of what art can be, opening up new horizons for artistic expression.

For those eager to explore Dread’s groundbreaking artwork further, interviews, exhibitions, and inquiries can be directed to his team through the contact information provided below.

About Jeffery Dread:

Jeffery Dread is an internationally renowned artist celebrated for his innovative use of artificial intelligence to create thought-provoking art pieces. His work centers on the celebration of African heritage, hip-hop culture, and the symbolism of the weed movement. Dread’s artwork has received widespread acclaim and has been showcased in renowned galleries across the globe. His unique ability to merge insightful symbolism with stunning visuals has firmly established him as a trailblazer in the world of contemporary art.

The post Jeffery Dread: Pioneering Artistic Vision Through AI and Culture appeared first on Magzoid Magazine.

Judge Beryl A. Howell of the US District Court for the District of Columbia concurred with the US Copyright Office’s determination to deny copyright protection to an artwork produced by computer scientist Stephen Thaler using his AI system known as the “Creativity Machine.” In her decision, Judge Howell emphasized that courts have consistently declined to acknowledge copyright in works devoid of human contribution.

The case revolved around Thaler’s application for copyright protection for his AI-generated artwork titled “A Recent Entrance to Paradise.” Thaler, the founder of Imagination Engines, an artificial neural network technology company, contended that the artwork was autonomously created by an AI algorithm operating on a machine. However, the Copyright Office deemed this description inconsistent with the core principles of copyright law, which require that a work be the product of human creative thought.

The judge acknowledged the evolving landscape of copyright law in light of AI-generated art and the challenges it poses to defining the extent of human involvement required for copyright protection. She recognized that the proliferation of generative AI will raise complex questions regarding the eligibility of such artworks for copyright safeguards.

In her conclusion, Judge Howell highlighted that this case was relatively straightforward because Thaler himself stated in his copyright application that he had not directly participated in the creation of the artwork.

The emergence of AI-generative platforms like OpenAI’s ChatGPT, DALL-E, and Midjourney has intensified legal complexities surrounding appropriation art, a practice in which artists repurpose existing creations. These AI systems contribute to the mass creation of digital artworks, prompting legal quandaries reminiscent of those faced by artists like Richard Prince and Andy Warhol.

Thaler’s attorney, Ryan Abbott of Brown Neri Smith & Khan LLP, expressed intentions to appeal the judge’s decision. Abbott contested the interpretation of the Copyright Act, emphasizing that according copyright protection to AI-generated works could inspire creativity and align with the underlying principles of copyright law.

The ruling sets an important precedent in the evolving landscape of AI-generated art and copyright law, signaling a need for further legal clarity as technology continues to redefine the boundaries of human creativity and artistic expression.

The post AI-Generated Art Denied Copyright Protection by US Judge appeared first on Magzoid Magazine.

In this collection, amrita merges her signature SoundBYTEs with AI to create unique pieces of art. She begins by creating a poem or word prompt using AI or her own imagination, which she then uploads into various AI technologies to generate images. She then records herself saying the words and captures the shape and structure of the sound wave. Next, she hand draws the words in the shape of the sound wave onto the images to create the aiBYTES. The addition of augmented reality brings the artwork to life, making it an immersive experience for art lovers.

The artwork explores how the power of words can create multiple images and realities, and showcases how AI technology can be unique to each artist’s creative process. amrita’s signature motto of ‘a word is worth 1,000 images’ as it resonates with ai- where word prompts are able to produce thousands of images- a phenomenon that’s taking the world by storm

“Artificial intelligence is transforming the world we live in, from the way we work and learn to the way we communicate and experience the world around us. It is not just a technology, but a powerful tool that has the potential to enhance our lives in countless ways.” – Sundar Pichai, CEO of Google.

The seven artworks in the collection, all 1/1 originals signed by the artist, will be available as both physical artwork and as an NFT. They celebrate the holy month of Ramadan and the welcoming of Eid, weaving both English and Arabic.

The collection not only pushes the boundaries of technology but also showcases how AI can enhance our lives rather than replace them. She layers on augmented reality to transform viewing art from a 2D to a multi-sensory 3D experience with sound.

Don’t miss the opportunity to meet Amrita and experience her artwork in person at the ftNFT – the world’s first phygital space in Dubai Mall on April 21st from 7 PM to 9 PM. This is an opportunity not only to view the collection but also to engage with the artist and gain insight into her creative process.

Amrita Sethi’s latest NFT collection is the future of AI and art. Experience it for yourself at the world’s largest shopping mall in Dubai at ftNFT.

amrita
amrita is the first NFT artist in the UAE, a phygital artist, a pioneer and thought leader in the web3 space as well as an award-winning UAE golden visa holder. After a successful career in the banking world, amrita left the corporate world to become an artist, creating her multimedia art genre, SoundBYTEs(c). Pushing boundaries, amrita harnesses technology as a digital paintbrush, seamlessly merging the physical and digital worlds while exploring the power of storytelling, Her other collection such as The AlphaBYTEs, The CrystalBYTES, and the AIBYTEs continue to explore sound and storytelling transforming new languages and infusing human consciousness into art.

Her collections have led to her recognition and coverage with Forbes, CNN, BBC World, CNBC, Bloomberg, etc., to winning awards, being selected for Expo 2020, and creating one of the world’s largest augmented reality murals and the first in the Middle East. amrita works with physical artwork, murals, sculptures, NFTs, and fashion and adds augmented(AR), virtual reality(VR), and artificial intelligence(AI) into her work. amrita aims to inspire change through art and technology, empowering individuals and communities to find their unique voices and share their stories.

The post Experience the future of AI and Art: Amrita Sethi’s latest NFT collection at ftNFT in Dubai Mall appeared first on Magzoid Magazine.

MAP was founded by philanthropist and collector Abhishek Poddar, who hopes to share his transformative experience in the Indian art scene with others. The museum’s main mission is to serve as a catalyst in developing a more regular museum-going culture in India by encouraging the public to engage with art more thoughtfully in their home country. Poddar aims to make the museum as inclusive as possible by incorporating diverse voices and dismantling hierarchies between high and low art, collapsing the divisions between mediums.

The museum’s compact, column-free five floors offer visitors an opportunity to view and engage with the art in well-lit free-flowing spaces. MAP’s collection of 60,000 objects includes paintings, sculptures, and works on paper, which is on equal footing with textiles, memorabilia from the Hindi film industry, and works by Indigenous artists historically excluded from India’s own art history. The museum’s space allows it to reframe the narrative of Indian art history from an Indian perspective, which is clear in its opening displays, ranging from how women are depicted within the permanent collection to preserving the underknown photographic work of a major artist.

MAP launched its online presence in December 2020, becoming one of the first digital museums in the country. The pandemic has radically changed how visitors engage with museums, both physically and digitally, and the timing couldn’t have been better. Apart from virtual exhibitions, artist talks, and VR experiences, the online project also includes MAP Academy, an expansive online resource that makes digitally available South Asian art histories, including online courses and an art history encyclopedia.

MAP’s significant use of technology ultimately aids its mission of helping people understand why museums are still relevant today. The museum has collaborated with global IT services company Accenture for a digital intervention, using AI to create a 3-D hologram of the late artist M.F. Hussain. Visitors can speak with the pioneering artist of Indian modernism, both online and now in the museum’s physical space. Visitors can also access the digital records for all of MAP’s permanent collection, even pieces not on display, in its Sasken Multimedia Gallery.

The Museum of Art and Photography has a robust commissioning program with 20 new works spread across the museum’s grounds. It focuses on artists working with digital technologies, and its solo show of contemporary artist Tallur L.N. features a series of sculptures and a video that draw upon ancient Hindu mythology and contemporary narratives around AI. The exhibition, titled “Chirag-e-AI,” responds to 18- and 19th-century lamps in the museum’s collection. One lamp is based upon the half-man half-animal creature Purushamriga, who moves at the speed of light and is visible only to devotees of Shiva. Tallur sees AI as having “the power to both help and destroy.

The post New Museum of Art and Photography opens in Bangalore appeared first on Magzoid Magazine.

Numerous creatives and platforms continue to investigate methods to use the technology, with uses ranging from practical to abstract, social to commercial, even if the medium is still vulnerable to the same issues as the crypto market.

As long as meme art tokens continue to oversaturate online marketplaces, some will continue to question the viability of NFTs as a creative medium. After the excitement subsided, concerns have been expressed regarding the supposed “worth” of NFT art, which consists of conceptual pieces that are simple to produce repeatedly as opposed to actual works by contemporary artists.

In other places, advocates of blockchain continue to hold fast to the utopian vision that the technology is helping to build — whether it be as a way to confirm provenance and authenticity or as a promised land of opportunity for up-and-coming artists.

The year of artificial intelligence was 2022, not 2021, which was the year of NFTs. The rise and publication of AI image generators over the past 12 months, like Dall-E and Midjourney, has provided an unmatched window into exactly how potent these algorithms have become.

By entering “Arab man drinking coffee in the style of Van Gogh” and witnessing it produce a precise representation in under a minute, there is no easier or more concrete way to experience the power of a contemporary AI system.

Since  this power, many people in the arts and cultural fields are debating where the boundary should be drawn. When do we cease appreciating the distance between the artist and the brush as well as the distance between the brush and the canvas? When is the physical media no longer necessary? Where does it all end, exactly? The modern question is, “What is creativity?,” as Murakami noted.

Automation has long been a problem in many other industries. The argument regarding the upcoming waves of automation, particularly in the creative realms, may be led by AI art as the Fourth Industrial Revolution progresses.

Perhaps there will be a larger push from artists toward the decentralising forces of NFTs if monopolies like Meta attempt to enforce control over these digital spaces, lest the constraints of algorithms created to further commercial interests stifle their creativity. What function does art perform in this result, and what can creators do to safeguard virtual cultural spaces in a society where the attention span of consumers is a commodity to be sold to advertisers?

The topic will undoubtedly change, and given the speed at which technology is evolving, it is hard to accurately forecast how events will turn out. But one thing is certain: the union of art and technology will undoubtedly continue to be a balancing act of promise and issues for some.

The post 2023: NFTs, AI, and the metaverse are expected to keep reinventing art appeared first on Magzoid Magazine.