A Fusion of Art, Heritage, and Innovation

This inaugural edition of the symposium features a vibrant mix of more than 15 artists from various countries, including the UAE, Saudi Arabia, Syria, Egypt, Tunisia, China, Ukraine, and beyond. The participating artists bring unique perspectives and diverse sculpting techniques, creating a global dialogue within the artistic community.

Among the standout works is Emirati artist Dr. Mohammed Yousif‘s sculpture titled Shells, which reflects Dubai’s beauty and essence through the imagery of two mysterious shells. Meanwhile, Azza Al Qubaisi, another Emirati artist, presents Dubai Heart, a dynamic sculpture blending local cultural elements with modern interpretations to symbolize the rapid transformation of the UAE.

Syrian artist Aktham Abdul Hamid showcases Cultural Accumulation, a thought-provoking piece that explores humanity’s historical journey, evolving from ancient experiences to the contemporary age of artificial intelligence. On the other hand, Chinese artist Liu Yang presents Starry Sky in Dubai, which uses light effects to capture the captivating beauty of Dubai’s night skies. Saudi artist Mohammed Al Thagafi’s Conversation represents societal harmony, with its delicate balance of soft and strong elements.

Global Artists Draw Inspiration from Dubai

The symposium also features contributions from artists who have drawn inspiration from Dubai’s rich heritage and modern aspirations. For instance, Romanian sculptor Ana Maria Negara presents Fractal, symbolizing the geometric harmony found in Dubai’s architectural landscape. Georgian artist Jhon Gogaberishvili‘s Fountain metaphorically portrays water droplets as symbols of balance between chaos and beauty. Bulgarian artist Georgi Minchev’s Fragment of Something Bigger examines life’s contrasts through dynamic sculptural forms.

Spanish artist José Millán offers Harmonic Connections, a sculpture that illustrates the concept of unity and the elegance of human relationships through the intertwining of two elements at a central point. Additionally, Ukrainian artist Lyudmyla Mysko, known for her monumental sculptures, showcases Magnetic Designer, a series that harmoniously blends physical forms and spatial voids.

Artists such as Tunisian Mohamed Bouaziz explore themes of life, movement, and environmental preservation, as seen in his sculpture Our Land, while Egyptian artist Said Badr presents City Gate, a piece symbolizing the connection between past, present, and future.

Workshops and Discussions on Art’s Role in Society

The symposium will also feature a series of specialized workshops and panels, which include discussions on sustainable art practices, preserving historical sculptures, and exploring interactive sculpture techniques. These sessions are scheduled for 14 and 21 December and aim to involve both artists and the public in valuable dialogues about how art shapes modern, sustainable societies.

The event will conclude with a special recognition ceremony, honoring the creative contributions of the artists involved. In line with its commitment to promoting global cultural dialogue, Dubai Culture continues to solidify Dubai’s position as a leading hub for art and creativity.

Important note: The symposium is not open to children to ensure a safe and focused environment for all attendees.

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Welcoming over 60 artists from 28 nationalities, the ceremony was more than a mere awards presentation; it was a celebration of creativity, diversity, and collaboration within the art world. Attendees included artists, curators, cultural leaders, and professionals, making the evening a global gathering that reaffirmed the UAE’s role as a beacon of cultural unity.

The festivities commenced with a red-carpet reception that set the tone for an evening filled with engaging performances and interactive discussions. Guests were treated to a rich program spotlighting art forms such as painting, sculpture, photography, digital arts, music, and cultural heritage. This blend of disciplines showcased the dynamic nature of the UAE’s creative landscape.

The awards celebrated both established and emerging talents, including well-respected names such as Vera Zhukova, Ritta Shoufan, Joy Najm, and Andrew Scanlan. Artists such as Noura Al Khyeli, Mouza Al Darmaki, and Moosa Al Halyan were among those recognized for their trailblazing work that pushed the boundaries of their respective mediums. The applause of the audience echoed the admiration for these visionaries who continually elevate art.

In addition to visual and performance art, the awards extended their reach to figures in the cultural sector, highlighting influential individuals like Abeer Abdullah, Harjyot Oberoi, and Honey Bhaskaran. These awardees were acknowledged for their transformative roles in fostering intercultural understanding through various platforms including music, literature, media, and film.

The pinnacle of the evening was the announcement of the prestigious Lifetime Achievement Awards, which celebrated the legacy of three iconic Emirati artists: Abdul Qader Al Rais, Khalil Abdulwahid, and Dr. Mohamed Yousif. Their profound influence on the art world resonated throughout the crowd, eliciting an ovation that underscored their significance to the UAE’s creative heritage.

The event was graced by prominent VIPs and cultural ambassadors such as Yaqoob Al Ali and Ahmed Al Mahmoud, whose presence reaffirmed the importance of art in the UAE’s socio-cultural fabric. Figures like Stefano Iorini and Bernadette “Cha” Eslais added their voices, emphasizing their commitment to cultural development.

Supported by partners such as Renad Events, Art Point, and Blooming Blossoms, the awards showcased how community collaboration drives the arts forward. These partnerships ensured that the event’s ambition was matched by its execution, setting an impressive standard for future celebrations.

Art4You Gallery’s co-founders, Jesno Jackson and Rengi Cherian, shared their vision for the future. “Through the Artistic Luminary Awards, Art4You Gallery demonstrates its unwavering commitment to fostering artistic expression, supporting cultural dialogue, and nurturing emerging talent on a global scale,” stated Jackson. Cherian added, “As we celebrate our 9th anniversary this year, this award embodies our commitment to honour creativity that resonates beyond the canvas, beyond the stage, and into the hearts of all those who encounter it.”

A participant shared, “The Artistic Luminary Awards have set a new standard for art and culture events in the region, and with this inaugural success, Art4You Gallery should continue its mission to spotlight the brilliance and transformative potential of art.”

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“Mute” draws inspiration from the tragic Beirut port explosion of 2020, serving as a poignant backdrop for the narrative. Developed in collaboration with Hala Omran and the musical ensemble Two or the Dragon, the piece is crafted as a theatrical poem that delves into the efficacy of artistic expression as a form of resistance in an age characterized by rampant misinformation and intellectual suppression.

Since its debut in 2023, “Mute” has garnered critical acclaim, winning multiple awards at various Arab theatre festivals. The performance seeks to challenge audiences to reflect on the role of art in contemporary society and its potential to address pressing social issues.

As the Arab world continues to navigate through complex challenges, “Mute” resonates with the current atmosphere, emphasizing the need for dialogue and artistic inquiry. The upcoming presentation is not only a showcase of theatrical talent but also a platform for discussing the intersections of art, politics, and human experience.

With its rich thematic content and innovative approach, “Mute” promises to engage audiences and stimulate important conversations about the role of art in society today. As the season unfolds, Perform Sharjah aims to bring to light diverse voices and perspectives through various performances, contributing to the cultural dialogue within the region.

This season of Perform Sharjah reflects a commitment to showcasing impactful theatre that not only entertains but also provokes thought and encourages reflection on significant societal themes. As the performances continue, they will undoubtedly contribute to the ongoing discourse about the importance of art in fostering resilience and understanding in turbulent times.

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Peschek’s multi-sensory showcase features a unique blend of sound, scent, temperature, glass-blown sculptures, AI-inspired portraits, and other visuals, offering an immersive experience that encapsulates the urgent theme of environmental crisis. The gallery describes her work as a “large-scale immersive takeover,” as she confronts the interconnected yet contrasting notions of geographical and corporeal fever dreams.

“Designing an exhibition around ‘fever’—the rising heat of both body and planet—feels especially urgent in a region on the frontlines of climate extremes. Approaching it from a Global South perspective adds a critical layer to my worldview. I want visitors to feel the intensity of these insights, drawn from the region’s culture, the climate crisis, digital realms, and a future-driven mindset,” states Peschek, who is based in Vienna and has conducted research in the Liwa Desert for this project. She further adds, “Working in the UAE has been a transformative experience. The environment, starkly different from what I’ve known, feels both confronting and captivating. Here, I’ve tapped into a well of cultural wisdom and resilience that pushed me to create this new body of work.”

Her latest creations delve into the practical and spiritual aspects of desert landscapes and their rich literatures, exploring cultural contradictions.

One piece draws from local myths surrounding protective desert snakes and the Ouroboros—a serpent in Greek mythology that symbolizes the eternal cycle of life, death, and rebirth. In Fever, this act represents contemporary environmental toxicity.

Veronika Berezina, founder of NIKA Project Space, established the gallery in Dubai last year with a vision to facilitate critical dialogue on contemporary issues and promote philosophical inquiry and artistic experimentation through the works of dynamic artists like Peschek from around the globe.

Formally trained as a lawyer, Berezina expresses her commitment to supporting artistic research and experimentation in her new role as a gallerist. Peschek is the third artist to be invited to NIKA Project Space’s research programme.

Previously, NIKA Project Space featured London-based artist Nika Neelova, who explored ancient marine life at Buhais Geology Park, as well as Katya Muromtseva, who interviewed women migrants in Dubai to inform her solo exhibition.

“I see NIKA’s role as expanding one’s worldview and encouraging empathy through art. With this in mind, our residency programme, which was launched with the opening of the gallery in 2023, invites artists to participate in research trips in the region to discover the nuances of local societies and local life,” Berezina tells us. She acknowledges that Dubai’s vibrant art scene has motivated her to collaborate more closely with local curators, cultural practitioners, and artists, fostering deeper connections and cross-cultural dialogues. “We are now working with Emirati artist Fatma Al Ali. We showed her works in Paris at MENART Fair in September 2023, and she participated in a duo show, Ephemeral Structures, where her newly commissioned work by NIKA Project Space was presented alongside Nika Neelova’s art,” she explains.

One of NIKA Project Space’s core objectives is to champion feminist voices, and the gallery has collaborated with numerous women artists over the past year, including Dalia Khalife, Sara Niroobakhsh, Lilia Ziamou, Katya Muromtseva, Mona Ayyash, Peschek, and most recently, Mirna Bamieh. Berezina elaborates, “I feel like there is the need for female artists to have more access for gallery representation and provide more opportunities for them to showcase their works. Though talent is not about gender, there has been a disbalance in male/female representation for some time.”

Just over a year since its establishment in Dubai, NIKA Project Space has made strides in the European market by opening an outpost in Paris.

This new venture marks an “important step” for Berezina. “The Paris space corresponds with our gallery’s ongoing commitment to highlighting internationally the work and concepts of artists and curators from usually overlooked regions of the world, and create a bridge between Paris and Dubai programmes, facilitating rich exchanges and dialogues, and help to amplify the practices of artists we connect with and provide opportunities for their voices to be heard,” she states. Berezina, who originally hails from St. Petersburg, began her journey as an art collector before relocating to Dubai in 2022 to pursue a career in the art world.

The NIKA Project Space in Paris, located in the Komunuma arts district, recently opened its doors with an exhibition featuring the works of Palestinian artist Mirna Bamieh. Through a thoughtfully curated pantry and fermented ingredients, Bamieh’s ongoing series Sour Things reflects on the themes of displacement and the Palestinian experience. “These works deal with grief, pain, and processing the uncontrollable. They invite reflection and create empathetic spaces. The Sour Things series has always been about processing big topics without providing answers, offering internal, psychic spaces of empathy,” shares Bamieh, who founded the Palestine Hosting Society, a live art project established in 2018 to document Palestinian recipes at risk of disappearing. A previous iteration of Sour Things—entitled Sour Things: The Kitchen—was exhibited at NIKA Project Space prior to the Paris showcase.

For Berezina, while the Paris outpost represents vast potential, Dubai remains a vital space for igniting new conversations and serves as the birthplace of NIKA Project Space. “I find Dubai to be an interesting city located at the crossroads of different cultures while being open-minded towards new concepts, people, and projects,” she reflects. “I admire its cosmopolitan character.”

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Curated by Martina Koppel Yang, the exhibition explores how both Arab and Chinese cultures elevate calligraphy beyond a mere means of communication, viewing it as a spiritual and cultural practice. Additionally, gardens in both cultures are seen as spaces of contemplation and beauty, deeply connected to the natural and spiritual world.

Ibrahim Al-Sanousi, acting CEO of the Museums Commission, explained the significance of the museum as a space for rotating exhibitions. “We aim to integrate contemporary art into everyday life,” he stated. He also highlighted that this exhibition marks the beginning of a series of collaborations with different countries, fostering international dialogue. “This exhibition, focused on Chinese artists, is the beginning of a series of collaborations with countries worldwide, aimed at fostering cross-cultural dialogue and international exchange,” Al-Sanousi added.

Several featured artists spoke about their work and its connection to both cultures. Dexi Tian discussed how he incorporates elements of Saudi culture into his creations by reusing discarded objects found during his explorations of the city and desert. “I reassemble these objects into new creations that reflect this culture,” Tian noted.

Wang Du, a Chinese artist residing in France, explained the concept behind his sculpture, which is made from crumpled newspapers.

“It symbolizes how we consume news and information in our modern world,” he said. Wang emphasized the fleeting nature of news consumption, reflecting on how quickly we discard information after consuming it. “This piece serves as a monument to that short-lived nature of news,” he explained.

The exhibition delves into the intersection between calligraphy and the natural world, with gardens symbolizing creation and community in both cultures. The event also offers a forward-looking perspective, highlighting the synergy between past traditions and future possibilities.

The scenography, designed by Studio GGSV, enhances the visitor experience by guiding them through stages that reflect various themes, such as presence and absence, memory and imagination. Alongside works from the Donnersberg Collection and the Dslcollection, the exhibition also features site-specific pieces created in Saudi Arabia.

Notable artists such as French-Algerian Adel Abdessemed and Taiwanese Michael Lin are exhibiting in Saudi Arabia for the first time, further enriching the cultural dialogue presented in the exhibition.

Running until January 18, 2025, the exhibition offers a glimpse into the ongoing evolution of contemporary art, bridging cultural gaps and laying the groundwork for future artistic exchanges.

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The quinquennial, scheduled to occur every five years, captures pivotal moments in the GCC’s art scene since 2019. It will showcase a diverse range of works, including paintings, videos, installations, and sculptures, reflecting the unique cultural and environmental attributes of the region.

Running until December 8, the exhibition not only highlights contemporary artistic practices but also commemorates the Art Gallery’s 10th anniversary.

Since its opening in 2014, the NYUAD Art Gallery has become a vital cultural venue on Saadiyat Island, elevating NYUAD’s status as a cultural beacon. It has played a crucial role in presenting both emerging and established artists and fostering a rich, international cultural dialogue.

“Between the Tides: A Gulf Quinquennial” is co-curated by Maya Allison, Executive Director of the NYUAD Art Gallery, and Duygu Demir, Art Gallery Curator and Research Assistant Professor. Their curatorial approach was shaped through extensive discussions with regional artists and curators, including Abdullah Al Mutairi, Ali Ismail Karimi, Aseel AlYaqoub, and Ayman Zedani. Instead of offering a comprehensive survey, this exhibition highlights key moments in the visual arts over the past five years.

Artists featured in the exhibition include Alia Ahmad, Abdulrahim Alkendi, Mohammad AlFaraj, Noor Al-Fayez, and many others, with collaborative works by Civil Architecture, Aseel AlYaqoub, Asaiel Al Saeed, Saphiya Abu Al-Maati, Yousef Awaad Hussein, Camille Zakharia, and Ali Ismail Karimi.

Maya Allison reflected on the gallery’s milestone and the quinquennial’s significance: “In the first decade of the NYUAD Art Gallery and Project Space, alongside our own development as a cultural institution, we have seen a proliferation of artists—thanks in part to the support of new initiatives across the Gulf—who are producing complex, nuanced, and provocative work, alongside their more seasoned peers. Expanded beyond a national arts landscape, this exhibition brings together and makes visible a larger shared ecosystem. A distinct chapter has opened in the region, and on the global stage.”

Duygu Demir added: “The title of the first iteration, ‘Between the Tides,’ reflects the Gulf’s deep connection to lunar rhythms and a sense of time shaped by natural patterns. The exhibition showcases a wide variety of artistic styles, from emerging voices to well-known figures, and explores important themes like urban growth, environmental change, heritage, identity, and representation. During the research phase of this show, our conversations with the curatorial interlocutors, as well as the exchanges with the artists, were immensely educational.”

Over the past decade, the gallery has featured a diverse array of exhibitions, alternating between global artists and explorations of Gulf art and history. Noteworthy past shows include “But We Cannot See Them” (2017), “Speculative Landscapes” (2019), and “Khaleej Modern” (2022), which have all contributed to its reputation as a leading cultural institution.

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Distinguished speakers at the session included Professor Salwa Mikdadi, Director of the Al Madrid Center for the Study of Art, Maryam Alfalasi, co-founder of IRIS Projects, and Noor Al-Suwaidi, an accomplished Emirati visual artist. Moderating the discussion was Emirati curator and founder of Dirwaza Curatorial Lab, Munira AlSayegh.

The session delved into various topics central to the Gulf’s artistic heritage, including the importance of archival practices in preserving this heritage, the evolution of creative movements within the UAE and the broader region, and the mechanisms facilitating artistic exchanges and their impact on Gulf identity. Speakers emphasized the global contributions of GCC artists and highlighted the dynamic fusion of tradition and innovation evident in Gulf art.

This collaborative session underscores the commitment of Dubai Culture and Fiker Institute to positioning Emirati artists, writers, and creatives at the forefront of international dialogue. By engaging in discussions on global intellectual and strategic issues, this knowledge partnership seeks to enhance the role of Emirati talents in shaping the cultural sectors on a global scale.

Through such initiatives, Dubai Culture and Fiker Institute aim to empower and expand the creative sector’s contribution to Dubai’s thriving cultural scene, fostering an environment where artistic expression thrives and Emirati talents are celebrated on the world stage. This collaborative effort signifies a significant step forward in nurturing the rich cultural tapestry of the Gulf region and promoting its artists on a global platform.

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The auction, set to take place during Christie’s 20th Century Evening Sale on May 16, will feature seven select pieces from Lear’s collection, with additional works slated for the Post-War and Contemporary Art Day Sale, among others. Experts anticipate the entire collection to command upwards of $50 million, a testament to the enduring value of Lear’s artistic curation.

During the 1970s and 1980s, Norman Lear revolutionized the television landscape with groundbreaking shows like “All in the Family” and “The Jeffersons.” Infusing his sitcoms with social realism and political commentary, Lear ignited a golden age of television, reshaping the American cultural conversation in the process. Beyond television, Lear was a fervent advocate for progressive causes, founding organizations like People for the American Way and spearheading initiatives such as Declare Yourself, aimed at promoting civic engagement.

Lear’s passion for art paralleled his commitment to social justice. A connoisseur of twentieth-century modern art, Lear cultivated friendships with artists like Robert Rauschenberg, whose work “Rodeo Palace (Spread)” from the “Spread” series will be among those offered at the auction. However, the crown jewel of Lear’s collection is David Hockney’s iconic Los Angeles landscape, “A Lawn Being Sprinkled,” estimated to fetch between $25 million to $35 million.

The collection also boasts pieces from luminaries such as Willem de Kooning, Ellsworth Kelly, and Joseph Cornell, reflecting Lear’s discerning taste and appreciation for artistic excellence. Notable among these is an Ed Ruscha word painting, “Truth” (1973), and a study of Roy Lichtenstein’s “I Love Liberty,” both emblematic of Lear’s unwavering commitment to advancing social causes.

Max Carter, Christie’s vice chairman of 20th and 21st Century Art, reflected on Lear’s collection, stating, “The art that Norman and Lyn collected together is, like his era-defining shows, marked as much by the exploration of ideas as by an exquisite sense of craft.”

Lear’s wife of over three decades, Lyn Davis Lear, an accomplished filmmaker and psychologist, played an integral role in shaping their shared artistic legacy. Elected to the Los Angeles County Museum of Art’s board of trustees in 2011, Lyn Davis Lear, alongside her husband and Cindy Horn, co-founded the Environmental Media Association, underscoring their commitment to environmental advocacy within the entertainment industry.

As the curtain rises on the auction of Norman Lear’s cherished collection, the world is reminded not only of his towering influence in the realms of television and politics but also of his profound impact on the world of art. Through his collection, Lear leaves behind a lasting testament to the power of creativity, social consciousness, and the enduring pursuit of justice.

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The highlight of the evening, the “Imaginary Future” show, transcended mere visual spectacle, offering attendees a captivating multisensory journey that ignited their imagination. Seven potential future scenarios came to life through cutting-edge audiovisual technologies, harmonized under the roof of KRASOTA. A meticulously curated set menu by Michelin-starred chef Vladimir Mukhin further enhanced the experience, bringing to life imaginative visions of future cuisine. The kitchen’s avant-garde flavor combinations and visually stunning presentations considered the future dramatic changes in humankind’s existence, incorporating rare ingredients and unique recipes that blended both future concepts and digital art onto the plate. 

An interactive element was introduced as guests engaged in an arcade game during the show, presenting an opportunity to win beautiful and elegant stud earrings in white gold with sapphires and diamonds from Parure Atelier. Celebrating the essence of women’s beauty and empowerment through exquisite jewelry creations, Parure Atelier’s masterful craftsmanship and attention to detail added an extra layer of sophistication to the event.

The picturesque KRASOTA Dubai terrace served as the backdrop for public talks, in partnership with Legends Art Club, highlighted the pivotal role of women in the arts. Distinguished speakers, Patricia Millns and Kourosh Nouri, shared their insights, journeys, and experiences, underscoring the importance of women’s representation in artistic realms.

• Patricia Millns, FRSA, advisor, artist, and mentor, offered a unique perspective on the cultural significance of adornment and the heritage of the Middle East, advocating for the support and recognition of women in the art world. She remarked, “It seems an oxymoron in the world today with so many things happening, but through cultures and understanding each other’s cultures to me is where everything in peaceful happens.”
• Kourosh Nouri, founding Director of “Carbon 12.Dubai” gallery, provided intricate details about women’s heritage in modern art, emphasizing the feminine industry that permeates the art world. Celebrating women in the art industry, Kourosh stated that his extensive experience has shown that it is a feminine industry, whether it be curators, museum directors, or artists.

Through the SHE.FUTURE event, KRASOTA Dubai not only celebrated the achievements of women but also created a space for dialogue, reflection, and a deeper exploration of art. KRASOTA Dubai expresses heartfelt gratitude to all participants, speakers, and collaborators who contributed to the success of the SHE.FUTURE event. The team’s objective is to foster meaningful dialogue and honor the varied talents that contribute to shaping the cultural landscape. This event marks the initiation of the series, aiming to empower discussions and celebrate the rich diversity of artistic expression in the region.

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Sheikha Khawla bint Ahmed Khalifa Al Suwaidi, the Founder of the Foundation and wife of H.H. Sheikh Tahnoun bin Zayed Al Nahyan, Deputy Ruler of Abu Dhabi, emphasized the essential role of calligraphy throughout the ages in documenting science and bringing people together through knowledge. She highlighted its contribution to opening doors for cultural dialogue between peoples and civilizations, enhancing communication between nations.

The Foundation’s primary goal is to enhance the value of Arabic calligraphy art by highlighting its originality, introducing its schools of thought and reviving them, and providing a cultural platform for those wishing to learn this art form. This platform will enable them to view cultural art in terms of its patterns and rules, as well as the new features of development and renewal in its formations over the centuries.

Sheikha Khawla further discussed the Foundation’s efforts to organize workshops and lectures in various countries worldwide, as well as their cooperation with local and international creators and artists. The aim is to enhance artistic, cultural, and civilizational interaction and provide the appropriate cultural platform for the exchange of ideas and creations. The Foundation aims to offer an opportunity for the public to enjoy the aesthetics of Arabic calligraphy.

The Khawla Art and Culture Foundation is making significant efforts to spread the art of Arabic calligraphy and its cultural significance worldwide. By organizing workshops, lectures, and cultural events, the Foundation aims to create opportunities for artistic, cultural, and civilizational interaction among people and nations. Through its efforts, the Foundation is contributing to the preservation and development of the ancient art of Arabic calligraphy.

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