The Birth of time&space

Da Silva’s passion for interior design began with a childhood dream of becoming an architect. Although that dream didn’t materialize, his interest in design evolved naturally into a deep connection with 20th-century design icons. A trip to LA became a turning point for Da Silva when he realized that the items he had been collecting could come together in a space of their own. “I left there so inspired,” he recalls, reflecting on the transformative power of travel. As he began to envision his collection in a physical space, the concept of time&space was born, a project dedicated to preserving and sharing design history.

time&space isn’t just about curating objects but about storytelling through design. For Da Silva, each piece—whether a vintage chair or an iconic sculpture—evokes emotions, and together they create a cohesive narrative. His selection process is deliberate and considered, aiming to blend aesthetics with functionality to craft environments that inspire and feel intentional.

Breaking Down Barriers: A Welcoming Space for All

Da Silva’s vision for time&space was further fueled by a personal experience with a local homeware store. After admiring a new sofa on display, he was dismissed by a store owner who bluntly told him, “You won’t be able to afford it.” This interaction made Da Silva rethink the exclusivity of the design world. “I never want this space to feel like that,” he says, emphasizing his goal to create a welcoming, accessible environment.

Da Silva’s philosophy closely aligns with Habitat’s ethos of “democratizing design.” Both share the belief that good design should be available to all, regardless of socio-economic status. Habitat’s mission is to provide accessible, affordable design that doesn’t compromise on quality, and through collaborations like this, they are helping to make great design more approachable for a broader audience.

The Intersection of Design and Lifestyle

Da Silva’s interest in curation goes beyond just arranging objects. It’s about creating environments that feel alive with energy and intention. He draws inspiration from a range of sources, including design legends like NIGO and Pharrell, who have managed to blend personal interests into their curations. The influence of these icons is evident in Da Silva’s work, which blends fashion, streetwear, and mid-century modern design into a unique, accessible approach to interior curation.

One of the most memorable pieces in Da Silva’s collection is the yellow Ernst Moeckl kangaroo chairs, which he sourced from a furniture market in Paris. He recounts the effort it took to bring them back to London, highlighting the dedication involved in curating such a special collection. For Da Silva, it’s not just about acquiring objects; it’s about preserving and sharing the stories behind them.

Habitat’s Continued Relevance in Design

Habitat’s commitment to innovation and practicality in design has helped it maintain a strong connection to modern consumers. Despite its long history, the brand has adapted to contemporary trends without sacrificing its core values. The brand’s ability to integrate modern, functional pieces with classic design sensibilities allows it to bridge the gap between the past and present.

Da Silva’s collaboration with Habitat perfectly complements this ethos. The integration of contemporary Habitat pieces with his curated 60s and 70s furniture brings a new, exciting layer to his collection, offering a contrast that feels both modern and timeless. It’s a fusion of past and present that resonates with today’s consumers, who seek designs that are not only functional but also meaningful and accessible.

Conclusion

Through his collaboration with Habitat, Armand Da Silva continues to challenge the traditional notions of exclusivity and elitism in the design world. By creating a space that is open, welcoming, and educational, Da Silva is ensuring that good design is available for everyone. His work, paired with Habitat’s commitment to democratizing design, brings us closer to a future where all people, regardless of background, can appreciate and engage with the beauty of great design.

To explore more of Da Silva’s Essentials collection, visit Habitat’s website and discover how good design can truly be for everyone.

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Organised by dmg events, IFS will run from 18-20 February and bring together global and local brands with interior designers, architects, project owners, and fit-out contractors from across Saudi Arabia’s vibrant Western Province. Cities such as Jeddah, Makkah, Madinah, and Tabuk are proving thriving hubs of design activity driven by government initiatives and giga-projects spanning hospitality, residential, and commercial developments worth in excess of US$1,452 billion.

Saudi Arabia is experiencing spiralling expansion of its hotel and accommodation sector, aligning with Vision 2030’s ambitious targets. By 2030, the Kingdom aims to deliver 320,000 new hotel rooms at a total development cost of US$37.8bn. Key cities such as Jeddah, Makkah, and Madinah are at the forefront of this growth with plans for new luxury hotels and resorts to cater to both domestic and international tourists. Currently, 66 per cent of Saudi Arabia’s hotel inventory is in the luxury segment, which is projected to grow to 72 per cent by 2030.

“Saudi Arabia is experiencing an unprecedented transformation, and Jeddah stands as its gateway to innovation and cultural heritage,” said Jasmeet Bakshi, Vice President of Design and Hospitality at dmg events. “As the pathway to Mecca and a cornerstone of Saudi Vision 2030, Jeddah is progressing with ambitious developments. From the Jeddah Central Project and the Red Sea Project to the iconic NEOM, skylines are being reshaped, and a new era of sustainable, innovative living is being ushered in and spearheading unmatched growth in the design and construction industries.”

With more than $74.8 billion in construction projects underway, combined with a dynamic religious tourism sector, Jeddah is becoming a canvas for bold architectural ideas, state-of-the-art interiors, and cutting-edge design, making it an ideal location for the three day trade show.

Some local exhibitors include Al Aqeel, Foamco, Al Guthmi, Al Rugaib Furniture, Creative Closets, Al Nassaj, Al Sourayi, Majestic, Damons, and Back Care whereas some international exhibitors include Standard Carpets, Trend Middle East, Surfaces Furnishing LLC, and Zuma Design Consultants.

IFS Jeddah will also feature an IFSpeaks where industry leaders, creative minds, and visionary thinkers will explore design’s past, present, and future through immersive sessions. The industry-led programme has been curated with input from a steering committee of some of Saudi Arabia’s most eminent and emerging interior designers and architects.

The line-up so far includes Amani Al Ibrahim, Partner and Executive Director of Kristina Zanic Consultants; Dr Karima Hemida, Head of Design at Jeddah International College; avant garde architect Ma’an Bajnaid from M3N DESIGN + ARCHITECTURE; and distinguished Saudi interior designer Iman Abuljadayel, from In Detail Design Center who has already made a significant mark in the world of luxury design. Each will explore among other things heritage-inspired style modernity, innovative fabrication such as 3D printing, space transformation through textiles, and sustainable design trends shaping the future.

Each day, we will delve into different design facets. Day One will celebrate Saudi heritage and explore how traditional aesthetics influence modern interiors, while Day Two will focus on the present, where we delve in innovative flexible workspaces, redefining human living and the use of AI. The final day will look to the future, empowering Saudi’s next generation of designers and building the future of Jeddah.

More than 5,000 influential buyers along with 100 exhibitors and specifiers are expected to attend IFS Jeddah, representing a range of key expansion sectors such as hospitality, residential, and commercial interiors.

“IFS reflects Saudi Arabia’s transformation bringing together the finest local and international brands alongside architects, designers, and project owners seeking solutions for the ambitious developments reshaping the Western Province. The event is not just about showcasing products; it is about creating a space where ideas, culture, and innovation converge. Jeddah’s unique identity as a city of heritage and progress and an up-and-coming global design leader makes it the perfect IFS host,” added Bakshi.

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A Timeless Design Reimagined for Modern Use

Herman Miller has officially reintroduced the iconic Girard Flower Table, a design originally created by Alexander Girard as part of the Miller House in Columbus, Indiana. Known for its brass structure featuring scalloped edges and a petal-like pattern, this table has been reimagined with contemporary materials to fit modern needs.

The Girard Flower Table was originally designed to sit at the center of a lush conversation pit in the Miller House, which Girard worked on with renowned architect Eero Saarinen. Now, Herman Miller has made this iconic piece available to North American customers for the first time. The reintroduced version of the table is made from powder-coated steel, making it suitable for both indoor and outdoor use. The table is available in two colors—anthracite and red—and in both small and large sizes, offering versatility and style.

Celebrating Girard’s Legacy of Modern Design

Alexander Girard’s contribution to modern design is widely celebrated. As the founding director of Herman Miller’s textile division in 1952, Girard introduced a unique approach that blended warmth and vibrant colors with modernist aesthetics, contrasting the often cold and minimalistic designs of his time. His works, including the Girard Flower Table, were crafted to bring a sense of humanity and playfulness to modern interiors.

With this reintroduction, Herman Miller is not just reviving a piece of history; it is continuing Girard’s legacy of making design accessible and approachable. The table’s playful, floral pattern reflects his love of organic forms and bright colors, reinforcing his belief that anything can be beautiful when handled thoughtfully.

Available Now for North American Customers

The Girard Flower Table is now available through Herman Miller’s webstore and authorized dealers. The small table is priced at $995 USD, while the large version retails for $1,295 USD. This reintroduction offers design enthusiasts the opportunity to own a piece of history, bringing Girard’s timeless aesthetic into their modern living spaces.

Product Details

• Small Table: $995 USD
• Large Table: $1,295 USD
  Available through Herman Miller webstore and authorized dealers.

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