Tickets for World Art Dubai are available on Platinumlist: https://shorturl.at/ekqI8

Dubai, UAE, 26 April 2024: World Art Dubai (WAD), the largest contemporary art fair in the region, is poised to celebrate its 10th edition. This year WAD will unveil 12 international pavilions dedicated to showcasing the vibrant artistic diversity from different countries and regions. From 2^nd to 5^th May 2024, art enthusiasts will have the opportunity to explore artworks from different pavilions. Namely, the UAE, America, Asia, China, Europe, GCC, India, Iran, Japan, Russia, and the UK, highlighting the universal language of art that transcends borders.

The fair, held at Dubai World Trade Centre in partnership with Dubai Culture, will feature over 4,000 artworks from over 65 countries. It will be presenting a dynamic snapshot of Dubai’s unique blend of local and international influences. The fair will be reinforcing the city’s position as an arts powerhouse for the Global South, elevating the global positioning of WAD

As a matter of fact, the international pavilions also stand as cultural gateways. Each offers a unique window into the country or region’s artistic heritage and contemporary creativity. From the traditional to the avant-garde, these pavilions curate a rich tapestry of artistic expressions. They underscore the universal language of art that unites us all. Each pavilion is a testament to the global nature of World Art Dubai and its commitment to fostering cultural exchange and appreciation. Moreover, it is adding positive economic impact to a city where 9% of the GDP comes from tourism.

World Art Dubai’s landmark 10^th edition will showcase a diverse array of pavilions and artists from around the world.

UAE and GCC Pavilion Highlights

The UAE and GCC Pavilions will spotlight both the talent of residents who call Dubai home and talented citizens. Undoubtedly, this demonstrates how the two populations exist and interact through their creative drives. These artists include Daria Avdeeva, Javeria Khan, and Francine Kaspar. They present their vibrant artworks, harmoniously blending classical techniques with contemporary interpretations, reflecting the UAE’s multicultural identity. Additionally, Hend Rashed, a Dubai-based abstract artist, will present her dynamic creations. Distinctly, with a repertoire spanning seven years at prestigious exhibitions worldwide, including in Singapore, Oman, and Italy, Rashed’s artistry has garnered recognition. She has earned nominations for the UAE Residence Artist Award by World Art Dubai for three consecutive years.

Bahraini artist Leena Al Ayoobi, Iraqi artist Nabil Ali, and Lebanese artist Lydia Moawad will showcase their unique artistic visions. They blend cultural influences and personal experiences to create compelling artworks. Specifically, their pieces demonstrate the wide variety of styles and cultural influences in Middle Eastern art.

Representing Diverse Global Regions

The pavilions of World Art Dubai feature artistic fusion among cultures, continents, and art schools that converge in Dubai from diverse global regions. The Europe Pavilion is curated by Tablinum Cultural Management. It presents innovative contemporary art, with artists like Tatiana Kramarenko, Follow Med, and Petr Shebarshin exploring themes of chaos, spirituality, and life’s profundity. China’s presence, facilitated by Artaflo Collective from Hong Kong, reflects the belief in art as a universal language. India’s offering showcases the dynamic art scene. This includes Sanuj Birla’s pop art, Raihan R Vadra’s immersive installations, and Niyati Parekh’s art and interior design.

Japan Promotion’s ‘Japan Tide’ project presents a curated blend of traditional and contemporary Japanese arts. The Russia Pavilion, featuring Igor Kirillov and IMMI Art, offers immersive experiences in romantic hyperrealism. Iran’s pavilion, represented by Ronas Gallery and Negara Group, highlights the vibrant contemporary art scene. In addition, insights from America, Asia, and the UK are incorporated, including contributions from the Museum of Modern Renaissance, Art Muse Gallery, and Lenny Lopes, respectively. These offerings provide fresh perspectives and innovative approaches to art.

Asma Al Sharif, Assistant Vice President at Exhibitions, Dubai World Trade Centre remarked about the fair. She said, “World Art Dubai’s 10th edition underscores our commitment to making art accessible and celebrating the diversity of the global art scene. The 12 international pavilions serve as portals, inviting visitors to immerse themselves in a vibrant mosaic of artistic expressions and explore a rich tapestry from around the world.”

Spotlight on Legacy and Innovative Artists

Notably, legacy exhibitors include Japan Promotion and Art Plus Photographers Production who have been loyal exhibitors at the fair for the past eight years. This signifies their longstanding commitment to World Art Dubai. Alongside them, new artists like Rinko Lim and Liz Ramos-Prado bring fresh perspectives to the Dubai art scene.

Rinko Lim uniquely blends art, design, and energy therapy. She harnesses her experiences from the United States to delve into themes of self-discovery and spiritual wellness. Meanwhile, Liz Ramos-Prado seamlessly merges graphic design with fine art, bridging the gap between commercial and personal artistic expressions. With a decade-long career in the UAE’s media and design landscape, Ramos-Prado’s work delves into the intricacies of human emotion.

With Hotel Indigo Dubai Downtown, the first certified boutique hotel in the UAE, proudly serving as the fair’s Art Hotel Partner. Additionally, Al Hathboor Group have joined WAD as Artistic Sponsor. There is an anticipated turnout of over 15,000 visitors at World Art Dubai 2024. The fair promises an immersive cultural journey, celebrating the transformative impact of art and its ability to forge global connections. Secure your tickets for World Art Dubai now on Platinumlist: https://shorturl.at/ekqI8.

For more information, visit www.worldartdubai.com

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Supported by esteemed entities such as the Government of Goa, the Corporation of The City of Panaji, the Directorate of Art and Culture, Goa, the Entertainment Society of Goa, the Goa Tourism Department, Panaji Smart City, and the Goa Forest Department, the festival boasted a diverse curatorial lineup. Notable figures like Sandeep Kumar Sangaru, Chef Thomas Zacharias, Bickram Ghosh, Geeta Chandran, and Quasar Thakore Padamsee, among others, led the way in crafting a unique artistic experience.

Spanning 18 locations, including cultural spaces like the Old GMC Complex, the Art Park, Azad Maidan, Dinanath Mangeshkar Kala Mandir ESG Complex, and Nagalli Hills, the festival engaged visitors of all ages with visual, sensorial, and interactive experiences. From the electrifying performance by tabla maestro Zakir Hussain to the enchanting closing by Shilpa Rao, musical evenings were a standout feature.

This year’s edition prioritized inclusivity, especially in its children’s programming led by ThinkArts at the “Young at Art: Children’s Corner.” Workshops and interactive sessions aimed to unleash the creative imagination of young minds, exemplified by Sananda Mukhopadhyaya’s play “Saglejan Kheltat” (Everyone Plays), commissioned by the NGO Quest.

The festival also delved into the realm of sound and visuals with exhibits like “Synaesthetic Notations,” curated by Veerangana Solanki. Works from 15 artists explored the interplay between sound and visual imagery, offering a captivating experience for attendees. Artist Satya’s production, “Hello? Who is Speaking,” used sound and fragmented glass to delve into the layered meaning of ‘self.’

Addressing the pressing issue of climate change, the festival showcased mixed-media exhibitions at the Old PWD Complex. Exhibitions like “Time As a Mother” and “Roots to Resilience” highlighted the fragile relationship between humans and nature, providing unique perspectives on environmental challenges.

Serendipity Arts Festival 2023 also aimed to foster discussions on mental health, body acceptance, and loneliness through workshops, performances and plays. Notable projects included the play “Jump,” which sensitively addressed the topic of suicide, and workshops like “Hello Body” and “The Rhythm in Nothingness.”

In addition to commissioned projects, the festival partnered with institutions globally, weaving cross-cultural narratives and bringing forth diverse artistic creations. Noteworthy projects like “Pixel” and “Epicentre” showcased the intersection of technology, dance, and storytelling.

Ms. Smriti Rajgarhia, Director of Serendipity Arts Foundation & Festival, expressed delight in the collaborative success of the festival, emphasizing the role of culture as a diplomatic tool.

The 2023 edition of the festival featured over 150 events, showcasing the works of more than 1500 artists, with around 15 commissioned works and an exploration of diverse practices and artistic creations through a unique lens. This marked the 8th edition of the festival, with two digitally hosted editions in 2020 and 2021.

For more information about the festival, visit www.serendipityartsfestival.com.

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One notable development is the opening of M+ Hong Kong, a contemporary art museum that adds to the cultural vibrancy of the city. Sotheby’s has also established a new 24,000 square-foot space on Queen’s Road Central, while Christie’s is preparing to launch its Asia Pacific headquarters, a massive 50,000 square-foot location called The Henderson, in 2024. These expansions and investments demonstrate the growing prominence of Hong Kong and Asia in the international art scene.

Meanwhile, the inaugural Frieze Seoul in 2022 sparked a surge of galleries setting up in the South Korean capital, reflecting the region’s thriving art market. Noteworthy expansions include the opening of Arario’s seven-storey mega-gallery. These developments highlight the increasing interest in capitalizing on the strength of Asia’s art market and the recognition of the region’s artistic talent.

Art Basel Hong Kong 2023 showcases a diverse lineup of participating galleries, with two-thirds of them based in Asia. The “Discoveries” sector shines a spotlight on emerging talent from the region, featuring artists such as Nova Jiang from Union Pacific and Kenneth Tam from Commonwealth and Council. The fair offers a platform for these artists to gain exposure and recognition on an international scale.

In anticipation of the event, Ocula Advisors have curated a selection of their top eight works to be showcased at Art Basel Hong Kong. One of the highlights is Michaël Borremans’ “The Gift” (2008) from Zeno X Gallery. Borremans’ captivating portraits, characterized by technical mastery and enigmatic subject matter, leave viewers in awe and bewilderment. The painting presents a figure with a ghostly, porcelain sheen and a missing limb, inviting interpretation and contemplation.

Nolan Simon’s “Trinacria” (2023) at Canal 47 captures a mundane yet intimate moment through almost photorealistic portraiture. The painting depicts three pairs of sock-clad feet, evoking a sense of community and anonymity simultaneously. Simon’s compositions often leave viewers with a sense of ambiguity, encouraging them to explore their own interpretations.

Danh Võ’s untitled sculpture (2021) at Galerie Chantal Crousel reflects his exploration of religion and personal experiences. Võ’s presentation features an alabaster relief of The Adoration of the Magi nativity scene within a wooden crate, drawing on his upbringing in a Catholic household and the rich iconographic imagery associated with it. Võ’s installations, including the recent Tropaeolum at the Bourse de Commerce in Paris, create immersive environments that engage with historical and cultural contexts.

Yu Youhan’s “Ah, Us! 12” (1998) at ShanghART explores cultural identity in contemporary China through expressive, earthy-toned portraits. Yu’s heavily layered brushstrokes and cool shades evoke the spirit of Expressionist portraits, presenting a critical perspective on societal and cultural issues. As a prominent figure in Chinese art, Yu’s works have been exhibited in major retrospectives across Asia.

Kati Heck’s “GUR” (2023) at Sadie Coles HQ showcases the artist’s sophisticated manipulation of oil paint, watercolor, and gouache. Heck’s compositions combine Old Master influences with surreal details, capturing moments of drama within seemingly mundane settings. The artist plays with light and shadow to create a sense of intrigue and curiosity.

Peter Saul’s “Bizarro Paints a Still Life” (1998) at Venus Over Manhattan presents the surreal world of the revered artist. Saul’s works are known for their vivid palette and amalgamation of disparate elements. In this particular painting, a table with a giant toothbrush, shoes resembling those of Bizarro, and other whimsical objects take center stage, inviting viewers into a bizarre and fantastical realm.

Ali Banisadr’s “Axe to the frozen sea within us” (2021) at Thaddaeus Ropac mesmerizes viewers with its turbulent and energetic brushwork. Banisadr, drawing inspiration from art history and personal experiences, creates semi-abstract, semi-figurative worlds that evoke a sense of motion and fluctuation. The monochromatic palette of this particular work adds a new dimension to his artistic exploration.

Lynne Mapp Drexler’s “Press” (1969) at Karma showcases the rediscovered talent of the late artist. Drexler’s remarkable paintings, often inspired by the natural world, have garnered renewed attention and appreciation. “Press” exemplifies her rich tones, layered depth, and abstract qualities that stir viewers’ subconscious and evoke memories.

Art Basel Hong Kong 2023 promises to be a captivating and diverse showcase of contemporary art from around the world, with a particular emphasis on the vibrant art scene in Asia. Visitors will have the opportunity to explore these exceptional works and engage with the dynamic artistic expressions on display.

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