Curated by Martina Koppel Yang, the exhibition explores how both Arab and Chinese cultures elevate calligraphy beyond a mere means of communication, viewing it as a spiritual and cultural practice. Additionally, gardens in both cultures are seen as spaces of contemplation and beauty, deeply connected to the natural and spiritual world.

Ibrahim Al-Sanousi, acting CEO of the Museums Commission, explained the significance of the museum as a space for rotating exhibitions. “We aim to integrate contemporary art into everyday life,” he stated. He also highlighted that this exhibition marks the beginning of a series of collaborations with different countries, fostering international dialogue. “This exhibition, focused on Chinese artists, is the beginning of a series of collaborations with countries worldwide, aimed at fostering cross-cultural dialogue and international exchange,” Al-Sanousi added.

Several featured artists spoke about their work and its connection to both cultures. Dexi Tian discussed how he incorporates elements of Saudi culture into his creations by reusing discarded objects found during his explorations of the city and desert. “I reassemble these objects into new creations that reflect this culture,” Tian noted.

Wang Du, a Chinese artist residing in France, explained the concept behind his sculpture, which is made from crumpled newspapers.

“It symbolizes how we consume news and information in our modern world,” he said. Wang emphasized the fleeting nature of news consumption, reflecting on how quickly we discard information after consuming it. “This piece serves as a monument to that short-lived nature of news,” he explained.

The exhibition delves into the intersection between calligraphy and the natural world, with gardens symbolizing creation and community in both cultures. The event also offers a forward-looking perspective, highlighting the synergy between past traditions and future possibilities.

The scenography, designed by Studio GGSV, enhances the visitor experience by guiding them through stages that reflect various themes, such as presence and absence, memory and imagination. Alongside works from the Donnersberg Collection and the Dslcollection, the exhibition also features site-specific pieces created in Saudi Arabia.

Notable artists such as French-Algerian Adel Abdessemed and Taiwanese Michael Lin are exhibiting in Saudi Arabia for the first time, further enriching the cultural dialogue presented in the exhibition.

Running until January 18, 2025, the exhibition offers a glimpse into the ongoing evolution of contemporary art, bridging cultural gaps and laying the groundwork for future artistic exchanges.

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Organized by ICA Events, the 19^th International Cosmetics, Beauty and Hair Exhibition, BeautyEurasia contributed to the creation of productive collaborations and the development of the sector with the participation of leading companies and countries in the sector. The exhibition, held between 12-14 June, brought together the products, services and technologies of manufacturers and suppliers from around the world at Istanbul Expo Center.

BeautyEurasia, the leading sector and cooperation platform of Türkiye and Eurasia, brought together over 500 professional hosted buyers from 60 countries, primarily from Europe and the Middle East, as part of this year’s VIP hosted buyer program. Thanks to this program, exhibitors had the opportunity to meet with a large number of international high-level buyers and establish business development and partnership agreements. 467 exhibitors from 28 countries, especially from countries such as Russia, France, Bulgaria, Greece, India, Italy, Switzerland, Ukraine, Japan and China, and 969 brands from 38 countries gathered on the same platform.

BeautyEurasia, held by ICA Events, which organizes exhibitions for the locomotive sectors of the Turkish economy, attracted great interest for 3 days. The exhibition hosted a total of 16,683 visitors from 116 countries, 29.2% of whom were international visitors. The exhibition reached the highest rate in the history of BeautyEurasia with 4,877 international visitors. The most key product lines of the sector such as personal care products, perfume and deodorants, hair salon equipment, colour cosmetics, cleaning and hygiene products, baby hygiene products, nail care products, haircare products, packaging and labelling machines, wig-eyebrow-eyelash, cosmetic laser equipment were exhibited in BeautyEurasia. During the exhibition, where exhibitors and buyers meet and form business partnerships, visitors had the opportunity to experience various product lines, especially makeup, nail extensions and skin care applications.

BeautyEurasia, this year as well, made a great contribution to Türkiye’s economy

Evaluating the performance of the exhibition this year, Filiz Mehmedova, BeautyEurasia Exhibition Director, expressed her views as follows: “BeautyEurasia provides a productive platform for the promotion of new ideas and products by discussing and exchanging information on the global and regional development areas of the sector in Türkiye and the Eurasia region. BeautyEurasia, which has a mission beyond providing a basis for new cooperation and export opportunities, successfully continued to draw the road map for the sector this year. Hosting new export opportunities, BeautyEurasia received intense demand and great interest from abroad this year. Exhibitors and visitors got informed about the techniques and the products on exhibition booths where trends and key points about hair, makeup, nail, laser hair removal and personal care being shared.”Stating that Türkiye stands out as an important production country in cosmetics and attracted more attention from exhibitors with the increase in exports in the sector in the first quarter, Mehmedova said, “In the cosmetics sector, whose exports increased by 2.9 percent in the first quarter of 2024 compared to the same period in 2023, reaching 668.7 million dollars, BeautyEurasia continued to create new business, partnership and export opportunities for Türkiye with its strong regional network. This year, BeautyEurasia occupied a space 30% larger than last year’s, providing exhibitors with the opportunity to closely observe the strategies and innovations of the companies. Thus, the exhibition has made a significant contribution to the acceleration and growth of the sector’s dynamics this year as well. As Türkiye’s only cosmetics exhibition for 19 years, we have been pleased to continue contributing to the development of the sector and supporting the strengthening of Türkiye’s position in the international arena in this field.”

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Mestaria Gallery is proud to present the latest exhibition by renowned Bahraini artist Areej Rajab, titled “Interwoven,” running from 17th October to 10th November 2024. The exhibition invites viewers to experience an artistic and therapeutic play of colours and emotions where the intricate patterns of human behaviour are delicately overlapped with the rhythms of nature.

Born and raised in Bahrain, Areej Rajab was drawn into the world of art from a young age. While her academic path initially led her to study business and general management at the University of Bahrain. Her passion for art eventually steered her to the London College of Art, where her creative talents fully flourished. Areej’s work has since resonated with collectors and enthusiasts across the Middle East and the UK, where she has exhibited extensively. 

Interwoven lies in Areej’s expression of the deep connection between nature and human behaviour. Through her artwork, she reveals the intricate beauty of natural forms and how they mirror the complexities of human emotions. By layering colours, Areej symbolically reflects how human emotions and experiences intertwine, much like patterns in nature, echoing the masterfully harmonious designs found in nature. As she explains, “I find inspiration in nature as it is the purest source of colour. My focus is on colour combinations and how they blend and overlap rather than just colour itself, much like how human behaviour and emotions often intertwine and influence one another. Different cultures can interpret colour in various ways, which adds another layer of meaning to my work”. Her paintings, with their fluid layers of paint, brushstrokes, and intentional lines, evoke a sense of movement and freedom, reflecting the rhythms and patterns found in both nature and human emotions.

Unlike artists who capture and document present moments to reflect current experiences and complexities they navigate, Areej’s paintings reflect a place where she aspires to be — expressing an optimistic and hopeful vision of the world. Through her translation of nature, she shifts perspectives to convey joy and optimism, using a carefully chosen colour palette, weaving a spectrum of colours, with each hue and shade meticulously chosen to inspire specific emotions and moods. She leaves her paintings untitled, believing that each viewer should have the freedom to interpret and connect with the artwork in their own way. 

This exhibition at Mestaria Gallery invites guests to become part of an emotional moment, where each encounter creates a unique connection, “interwoven” between individual and canvas, leaving a lasting impression on Dubai’s art scene. Don’t miss being an added story to those brushstrokes of beauty.

Exhibition details:

Exhibition: Interwoven by Areej Rajab 

Dates: Thursday 17^th October to Sunday 10^th November 2024 

Location: Mestaria Gallery Alserkal Avenue, Dubai

Timings: Open daily from 10am-7pmFor more information please visit: www.mestaria.art

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In a statement, Ithra highlighted the camel’s enduring significance in Arabian Peninsula societies, including Saudi Arabia, where it served as a vital means of transportation across diverse terrains, akin to the role of ships navigating the seas.

At the exhibition’s opening, Prince Faissal bin Abdullah bin Mohammed, founder of the Layan Cultural Foundation, delivered a poignant keynote speech emphasizing the camel’s role in the Kingdom’s cultural heritage as a symbol of strength and endurance.

Prince Faissal bin Abdullah at the opening of ‘The Camel Through the Ages.’ (Supplied)

Ghada Al-Tobaishi, the executive director of the LCF, remarked, “We are very pleased to cooperate with Ithra (on this) exhibition. This academic and cultural project aims to enrich the knowledge of many important facts of cultural heritage of past eras.”

The exhibition draws inspiration from a two-volume Arabic-language book on camels published by the LCF last year in collaboration with the King Abdulaziz Public Library.

Some pieces in the exhibition were specially commissioned, while others were derived from the book. The exhibition is curated by Kumail Muhammed Almusaly, with contributions from Maryam Al-Dossary.

“We, at Ithra, reached out to Layan Cultural Foundation to collaborate on an exhibit specifically for the Year of the Camel,” Almusaly told Arab News. “And it fits very well with the intent of this gallery, which focuses on the history of Saudi Arabia.”

Digital mosaics created at the Layan Cultural Foundation for ‘The Camel Through the Ages.’ (Supplied)

Almusaly elaborated, “We came up with five themes in order to create a journey in which the visitor could flow freely between the artworks — it is not a linear journey.”

The exhibition explores five themes: the camel as an emblem of Arabian identity; the camel as a spiritual or meditative symbol, particularly through Qur’anic verses; the camel’s role in camel racing and family life; its place in oral or folk history; and the camel as a companion during rest and travel.

Upon entering the exhibit, visitors are greeted by a series of paintings, including a notable 2013 piece by Saudi artist Abdulrahman Al-Soliman titled “The Camel is not a Ship.”

“This is a statement by a pioneering artist,” Almusaly noted. “(It’s) a piece that ‘corrects’ our perception toward camels. He is using text over the painting, which states that the camel is ‘not the ship of the desert.’ He wants to convert that perception back to the reality that the camel is a creature — it is not an object.”

The exhibition also features digital mosaics from the LCF, along with artworks by both international and local artists. “There is a part where we switch to how Western artists have looked at Eastern culture — how they are examining the camel and Arabic culture from their perspective,” Almusaly explained.

Following the paintings, the exhibit showcases sculptures, photographs, historical coins, and traditional garments, with many pieces incorporating Arabic calligraphy.

According to Almusaly, the LCF has played a crucial role in “maintaining culture, maintaining history and preserving culture through these materials,” by bringing in experts to examine each object and enhance our understanding of the camel.

The exhibition offers a chance to view the camel through various artistic lenses, reflecting Saudi identity and underscoring the camel’s vital role in the Kingdom’s cultural and economic evolution.

The post Ithra’s Camel Exhibit: “The Camel Through the Ages” appeared first on Magzoid Magazine.

Curated by Morad Montazami, with assistance from Odile Burluraux and Madeleine de Colnet, the exhibition highlights the significant impact Arab artists had on the Parisian art scene, as well as how their work was shaped by their experiences in the city. Burluraux commented, “The exhibition is dedicated to reviving the history of Arab artists and their links with Paris, to tell a story that has never been told in this way.”

Spanning from 1908, when Lebanese poet and artist Gibran Khalil Gibran first arrived in Paris, to 1988, the exhibition traces the development of the Arab avant-garde movement.

It features over 200 works from more than 130 artists, many of whom are rarely exhibited in France. Notable artists include Iraqi artist Jamil Hamoudi, Algerian painter Baya, and Turkish artist Fahrelnissa Zeid.

Burluraux explained the significance of Paris during this period: “Paris at the beginning of the 20th century was an important colonial empire. The French language was spoken in most of North Africa and the Middle East. Arab artists who wanted to complete their art education were traveling to Paris to study in official art schools or ateliers.”

The exhibition not only underscores Paris as a place of refuge but also as a center for artistic innovation and freedom. It sheds light on how the city served as a breeding ground for the emancipation of Arab artists, allowing them to break away from the traditional styles taught in their home countries and embrace modernity.

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The composition captures the brand’s design philosophy: a perfect balance of iconic lines, braveness, and performance. It features intricate calligraphic forms inspired by ancient Arabic calligraphy and arabesque patterns in Islamic architecture. These elements are interwoven with the Lamborghini Countach’s body, creating a captivating illusion of the car floating, enhancing the piece’s spiritual and mysterious aura.

Now, the ‘Spirit of Countach’ stands as one of the esteemed designs featured in the Dreamaway exhibition. Each work of art comes together to transform the House of Sant’Agata Bolognese into a “diffused museum,” showcasing artworks by internationally renowned artists. Commissioned by Lamborghini showrooms worldwide, these creations celebrate 60 years of the brand’s innovation, design and integration into the local culture.

“Of the over 100 pieces created in honour of the 60th anniversary, we are proud that our masterpiece, designed and commissioned in the UAE, has been chosen to be on display at the Automobili Lamborghini Museum’s Dreamaway exhibition,” said Mr Rakan Turki, CEO of Lamborghini Abu Dhabi & Dubai. “Not only does the ‘Spirit of Countach’ highlight our rich cultural heritage and shows a glimpse into the local artistic talent, it also illustrates the Lamborghini brand harmoniously immersed into the UAE culture in the most beautiful manner.”

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• With more than 400 exhibitors signed up, sustainability, technology, and wellness among key trends to be explored during three-day annual show
• Co-located WORKSPACE to unpick future smart workplace design, technology, and employee wellbeing at Dubai World Trade Centre from 4-6 June

INDEX 2024: Shaping Sustainable Interior Design with Technology and Wellness

The furniture industry comprises a third of global raw material, energy, and water consumption. INDEX 2024 places considerable emphasis on the fast-evolving trends within the interior design landscape. This includes a dedicated focus on sustainability, technology integration, and wellness initiatives. The latest INDEX Global Market Report shows 98.5 per cent of companies consider sustainability as a factor in product sourcing. In addition, with 76 per cent committing to sourcing certain volumes of products sustainably.

“The interior design industry is changing, with sustainability, technology, and well-being identified as important growth and innovation factors,” said Elaine O’Connell. She is the Vice President of Design & Hospitality at dmg events. “The legacy of this event is that it has routinely proven itself a vital platform for the industry. I’m confident it will continue to shape the future as we explore these topics this year. The integration of technology, I believe, is a catalyst for a transformative era in interior design. By embracing this evolution, the industry can create a future where design is not only visually appealing, but also sustainable and responsible.”

Exploring Sustainability, Technology, and Wellness Across 11 Sectors at INDEX 2024

Sustainability, technology, and wellness themes run throughout the show’s 11 sectors. These cover furniture and components, accessories and décor, kitchens and bathrooms, textiles and furnishings, lighting and home automation, design and fit-out, art, modular structures, architectural hardware, floors and surfaces, and sleep.

The themes will also run throughout the event’s two major conferences. Firstly, the INDEX Design Talks and secondly, the Furnishings and Textiles Summit. They will feature addresses by more than 100 industry changemakers and trendsetters.

The show will host upwards of 400 exhibitors, including some of the biggest names in the business. For instance, Gautier, Elite Stone, Ligne Roset, Minotti, Bretz, Sanipex, Bloomr, and Suncoast. These are just a few names, as well as new sector disruptors who are pushing the transformation agenda.

Geberit and Kohler Unveil Innovations at INDEX 2024

In 2024, INDEX’s Design Talks sponsors, Geberit Group is looking back at 150 years of company history and is looking at INDEX to showcase their latest innovations; “Our comprehensive system solutions continue to set standards, then, now and in the future,” says Louise Pitt, Head of Marketing & Communication (Gulf Region), of Geberit. “With more than 20,000 visitors expected at INDEX, we will have the opportunity to demonstrate our innovations for 2024, including the Acanto WC system, which delivers a 10 times more powerful flush than standard requirements.”

Meanwhile, Kohler Co., a global lifestyle brand and leader in kitchen and bath products, is both an Exhibitor and Design Talks Sponsor at INDEX. The company aims to create a buzz at INDEX with a showcase of its newest designs spanning its Kohler and Kallista brands.

“Kohler’s experiential booth at INDEX provides visitors with an unexpected array of multi-sensory moments from hands-on interactive product displays and dynamic use of colors and finishes letting the consumers experience the trending luxury spaces.”, said Firoz Khan, Commercial Director Middle East.  “Within the showering space, the SpaViva hand shower and cleansing device introduces a new Microbubble technology for a deep clean and four attachments, making the hand shower a multifunction beauty tool. While Anthem+ is Kohler’s most advanced smart shower system that integrates water, steam, light, and sound in one digital control.”

Other show highlights include feature installations by Collaborative Architecture. Importantly, leading designer KEANE has conceptualised the INDEX Design Talks theatre with build partners Emkay Interiors.

WORKSPACE 2024

WORKSPACE, the leading sourcing hub for workplace solutions in MENA, will co-locate alongside INDEX 2024. Together these events will be spanning eight halls and 33,500 square meters of exhibition space inside DWTC.

This year, WORKSPACE 2024 expects an international presence. Exhibitors will be joinging from Germany, Spain, France, Italy, Korea, the Netherlands, India, Turkey, the USA, and the UAE. The 90 exhibitors will showcase transformation underway in workplaces across the globe. The transformation is through smart office design and interiors, and technological advancements. Equally important to note is that, AI enhancements are employed for greater efficiency and productivity and employee well-being.

“This year’s show will be a gateway to the thriving industry of commercial interiors and smart workplace technology,” said O’Connell. “This is where innovation meets inspiration in driving forward the rapidly changing modern workplace; where the nature of work is more flexible, adaptable, and interconnected, and employee wellbeing is a strategic priority, with businesses integrating technologies that support mental and physical health, collaboration, and flexibility.”

Empowering Workplaces: Insights from the WORKSPACE Summit at INDEX 2024

More than 50 industry thought-leaders, designers, and creative thinkers behind some of the top workplace initiatives in the Middle East and North Africa will address the Workspace Summit. They will lead delegates through an exploration of the evolving work environment. Moreover, they will be showcasing trends, technology, and innovations crucial to keeping organizations ahead in today’s competitive market.

“The WORKSPACE Summit provides businesses with an exceptional opportunity to pioneer the creation of work environments that reshape the future of work,” added O’Connell. “They will find the key to unlocking the benefits of smart offices that go beyond creating visually appealing workspaces. The aim is to include heightened employee attraction, satisfaction, and retention, increased productivity. Eventually, this will contribute to long-term business success and sustainability.”

INDEX and The Hotel Show colocate with Leisure Show, Workspace, and the new edition, KIDSPACE. These show are integrating the worlds of design and hospitality into one exhibition ecosystem.

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With over 90 exhibitions both in India and abroad, Mahesh has showcased his mesmerizing artworks in prestigious venues such as the Nehru Centre Art Gallery in Mumbai, Lalit Kala Akademi in New Delhi, Shridharani Gallery in New Delhi, Leela Art Gallery in Mumbai, Pradarshak Art Gallery in Mumbai, Kamalnayan Bajaj Art Gallery in Mumbai, and Molbert Art Gallery in St. Petersburg, Russia. His participation in numerous group exhibitions alongside national and international artists has further enriched his artistic journey, leaving an indelible mark on the global art landscape.

Mahesh’s artistic prowess has been recognized on the international stage, with notable appearances at esteemed art events including the Unfair Art Fair in Milan, Florence Biennale in Italy 2021, Affordable Art Fair in Amsterdam (2019 and 2022), Affordable Art Fair in Milan (2019), Affordable Art Fair in New York, Affordable Art Fair in Singapore, Affordable Art Fair in Brussels, Busan International Art Fair in South Korea, and World Art Dubai from 2017 to 2023.

Currently, Mahesh is showcasing his latest masterpieces at the World Art Dubai stall CB 08. This exclusive exhibition presents art enthusiasts with an unparalleled opportunity to immerse themselves in Mahesh’s captivating world of creativity, where each artwork narrates a unique story and evokes profound emotions.

For those who appreciate art that transcends boundaries and speaks to the soul, Mahesh’s exhibition at World Art Dubai is a must-visit. Discover the enchanting world of Mahesh’s artistry at stall CB 08 and experience the magic firsthand.

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Tickets for World Art Dubai are available on Platinumlist: https://shorturl.at/ekqI8

Dubai, UAE, 26 April 2024: World Art Dubai (WAD), the largest contemporary art fair in the region, is poised to celebrate its 10th edition. This year WAD will unveil 12 international pavilions dedicated to showcasing the vibrant artistic diversity from different countries and regions. From 2^nd to 5^th May 2024, art enthusiasts will have the opportunity to explore artworks from different pavilions. Namely, the UAE, America, Asia, China, Europe, GCC, India, Iran, Japan, Russia, and the UK, highlighting the universal language of art that transcends borders.

The fair, held at Dubai World Trade Centre in partnership with Dubai Culture, will feature over 4,000 artworks from over 65 countries. It will be presenting a dynamic snapshot of Dubai’s unique blend of local and international influences. The fair will be reinforcing the city’s position as an arts powerhouse for the Global South, elevating the global positioning of WAD

As a matter of fact, the international pavilions also stand as cultural gateways. Each offers a unique window into the country or region’s artistic heritage and contemporary creativity. From the traditional to the avant-garde, these pavilions curate a rich tapestry of artistic expressions. They underscore the universal language of art that unites us all. Each pavilion is a testament to the global nature of World Art Dubai and its commitment to fostering cultural exchange and appreciation. Moreover, it is adding positive economic impact to a city where 9% of the GDP comes from tourism.

World Art Dubai’s landmark 10^th edition will showcase a diverse array of pavilions and artists from around the world.

UAE and GCC Pavilion Highlights

The UAE and GCC Pavilions will spotlight both the talent of residents who call Dubai home and talented citizens. Undoubtedly, this demonstrates how the two populations exist and interact through their creative drives. These artists include Daria Avdeeva, Javeria Khan, and Francine Kaspar. They present their vibrant artworks, harmoniously blending classical techniques with contemporary interpretations, reflecting the UAE’s multicultural identity. Additionally, Hend Rashed, a Dubai-based abstract artist, will present her dynamic creations. Distinctly, with a repertoire spanning seven years at prestigious exhibitions worldwide, including in Singapore, Oman, and Italy, Rashed’s artistry has garnered recognition. She has earned nominations for the UAE Residence Artist Award by World Art Dubai for three consecutive years.

Bahraini artist Leena Al Ayoobi, Iraqi artist Nabil Ali, and Lebanese artist Lydia Moawad will showcase their unique artistic visions. They blend cultural influences and personal experiences to create compelling artworks. Specifically, their pieces demonstrate the wide variety of styles and cultural influences in Middle Eastern art.

Representing Diverse Global Regions

The pavilions of World Art Dubai feature artistic fusion among cultures, continents, and art schools that converge in Dubai from diverse global regions. The Europe Pavilion is curated by Tablinum Cultural Management. It presents innovative contemporary art, with artists like Tatiana Kramarenko, Follow Med, and Petr Shebarshin exploring themes of chaos, spirituality, and life’s profundity. China’s presence, facilitated by Artaflo Collective from Hong Kong, reflects the belief in art as a universal language. India’s offering showcases the dynamic art scene. This includes Sanuj Birla’s pop art, Raihan R Vadra’s immersive installations, and Niyati Parekh’s art and interior design.

Japan Promotion’s ‘Japan Tide’ project presents a curated blend of traditional and contemporary Japanese arts. The Russia Pavilion, featuring Igor Kirillov and IMMI Art, offers immersive experiences in romantic hyperrealism. Iran’s pavilion, represented by Ronas Gallery and Negara Group, highlights the vibrant contemporary art scene. In addition, insights from America, Asia, and the UK are incorporated, including contributions from the Museum of Modern Renaissance, Art Muse Gallery, and Lenny Lopes, respectively. These offerings provide fresh perspectives and innovative approaches to art.

Asma Al Sharif, Assistant Vice President at Exhibitions, Dubai World Trade Centre remarked about the fair. She said, “World Art Dubai’s 10th edition underscores our commitment to making art accessible and celebrating the diversity of the global art scene. The 12 international pavilions serve as portals, inviting visitors to immerse themselves in a vibrant mosaic of artistic expressions and explore a rich tapestry from around the world.”

Spotlight on Legacy and Innovative Artists

Notably, legacy exhibitors include Japan Promotion and Art Plus Photographers Production who have been loyal exhibitors at the fair for the past eight years. This signifies their longstanding commitment to World Art Dubai. Alongside them, new artists like Rinko Lim and Liz Ramos-Prado bring fresh perspectives to the Dubai art scene.

Rinko Lim uniquely blends art, design, and energy therapy. She harnesses her experiences from the United States to delve into themes of self-discovery and spiritual wellness. Meanwhile, Liz Ramos-Prado seamlessly merges graphic design with fine art, bridging the gap between commercial and personal artistic expressions. With a decade-long career in the UAE’s media and design landscape, Ramos-Prado’s work delves into the intricacies of human emotion.

With Hotel Indigo Dubai Downtown, the first certified boutique hotel in the UAE, proudly serving as the fair’s Art Hotel Partner. Additionally, Al Hathboor Group have joined WAD as Artistic Sponsor. There is an anticipated turnout of over 15,000 visitors at World Art Dubai 2024. The fair promises an immersive cultural journey, celebrating the transformative impact of art and its ability to forge global connections. Secure your tickets for World Art Dubai now on Platinumlist: https://shorturl.at/ekqI8.

For more information, visit www.worldartdubai.com

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A highlight of the exhibition is its homage to the monumental project “A Comprehensive Collection of Ancient Chinese Paintings,” which meticulously catalogues images of paintings spanning over 2,000 years. Divided into two sections, the showcase provides a comprehensive view of Chinese artistry, past, and present.

The archival section presents 100 high-fidelity prints of revered Chinese paintings housed in museums worldwide, accompanied by documents detailing their journey from creation to acquisition. This segment serves as a bridge between cultures, offering insights into the historical and artistic significance of these treasures beyond China’s borders.

Complementing the archival display are contemporary works by acclaimed artists, each drawing inspiration from themes prevalent in ancient Chinese paintings. From architecture and landscapes to figures and gardens, these modern interpretations seek to make Chinese art more accessible to Western audiences by employing familiar artistic languages.

Curator Wang Xiaosong emphasizes the exhibition’s mission to showcase the beauty and cultural essence of Chinese ink paintings, bridging cultural gaps through art. Through installations like Zhu Jinshi’s “Rice Paper Pagoda,” which juxtaposes traditional symbols with global perspectives, viewers are invited to contemplate the universality of artistic motifs across cultures.

Che Jianquan’s video installation “Pavilion” offers a visual journey through time and space, juxtaposing images of a pavilion on Lushan Mountain with pavilions from around the world. This multimedia approach highlights the interconnectedness of cultural symbols and invites viewers to explore the nuances of cultural expression.

Qiu Zhenzhong’s “Status Series” sculptures pay homage to calligraphy, the foundation of Chinese ink painting, by replicating brush strokes in concrete lines. This integration of traditional techniques with contemporary materials underscores the enduring relevance of Chinese artistic traditions in the modern world.

Adding a dynamic dimension to the exhibition is Wang Zhenghong’s performance art, where the artist interacts with visitors while adorned with 10,000 bird-shaped accessories. This whimsical yet profound gesture embodies the spirit of ancient Chinese paintings, which often feature birds as symbols of freedom and inspiration.

Incorporating poetry, nature, and cultural symbols, the exhibition offers a holistic representation of Chinese artistic heritage, inviting audiences to engage with its timeless beauty and cultural significance. As China continues to assert its cultural presence on the global stage, exhibitions like “Atlas: Harmony in Diversity” serve as poignant reminders of the enduring legacy of Chinese artistry.

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