Motta’s work epitomizes the exhibition’s core theme – the intersection of colonial violence, the passage of time, and the enduring allure of El Dorado, the mythical city of gold. According to co-curator Edward Sullivan, the myth of El Dorado served as a catalyst for the exploitation and plunder of the Americas, fostering a narrative of utopia and conquest.

With over 100 objects and artworks from 60 artists, “El Dorado: Myths of Gold” delves into the consequences of this myth, tracing its impact from the 16th century to the present day. The exhibition not only examines historical accounts but also confronts the ongoing legacy of extraction in Latin America.

The origins of the El Dorado myth can be traced back to Spanish encounters with the Tayrona people in Colombia, where the allure of gold sparked centuries of exploitation. This pursuit of precious metals drove Spanish colonization and laid the groundwork for modern-day extractivism, from oil in Venezuela to lithium in Chile and Argentina.

One striking exhibit, “Moscas (Flies),” by Bolivian artist Andrés Bedoya, metaphorically portrays the plague of silver extraction in Bolivia. The Cerro Rico mines of Potosí serve as a grim reminder of the human cost of extraction, where millions of indigenous and African miners perished to enrich European powers.

While El Dorado may have been a fabled city, its legacy endures in the form of environmental degradation, displacement of indigenous communities, and socioeconomic disparities. Artists like Nancy La Rosa and Esperanza Mayobre confront this reality head-on, shedding light on the ongoing struggles in Peru and Venezuela.

La Rosa’s “Mirages (Espejismos)” series exposes the impact of gold extraction on communities in the Peruvian Amazon, while Mayobre’s sculptures honour indigenous peoples affected by gold mining in Venezuela. These artworks serve as a poignant reminder of the human and environmental toll of extractivism.

As Latin America grapples with the resurgence of extractive industries, the exhibition’s relevance remains undeniable. Recent legal battles, such as the Guatemalan Indigenous Mayan community’s fight against a nickel mine and Ecuadorian communities’ victory against a gold mine, underscore the ongoing struggle for environmental justice.

In the words of co-curator Aimé Iglesias Lukin, the exhibition offers an opportunity to “denaturalize” the significance of gold and explore its cultural and historical implications. Through art, the legacy of El Dorado is unmasked, revealing a complex narrative of exploitation, resistance, and resilience in Latin America.

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Evolution and Resilience: Boyz II Men’s Journey Through Changing Times

From their early days to the present, the group has embraced change while staying true to their signature sound and style and continue to evolve and connect with audiences worldwide.  “We appreciate our position now more than when we first started,” shares the group.  “It’s all about creating new memories, giving us a different level of appreciation to our loyal fans.”

Maintaining their level of success hasn’t been easy, but Boyz II Men has managed to navigate the ever-changing music landscape with grace and resilience. “It’s been a journey, and we’ve had to work hard to stay relevant.  The love of our fans and the joy of performing together has always been our motivation to keep going.”

For the group, performing live is about more than just entertaining the crowd – it’s about creating an experience where people can let go of their inhibitions and worries, if only for a few hours. “We want you to come in with a pure heart and a pure reason.  Leave your worries at the door and immerse yourself in the music. We appreciate every person who spends their well-earned money to come and watch us perform.  Our fans are what keep our music and legacy alive.”

Enduring Legacy: Boyz II Men’s Timeless Music and Everlasting Impact

The music of Boyz II Men continues to be enjoyed and shared through the generations.  It’s a testament to their enduring appeal that Boyz II Men can still fill arenas like Coca-Cola Arena. They inspire audiences after more than three decades in the spotlight.  “You keep Boyz II Men, Boyz-II-Menning!”

As they prepare to take the stage, the group feels humbled by the opportunity to share their music with fans old and new. “It’s an amazing thing to know that 32 years later, we can still be here doing what we love. And seeing people of our generation bringing their kids to the concerts – it’s a beautiful reminder of the power of music to bridge generations and create lasting memories.”

Be sure not to miss Boyz II Men live in Dubai!  Limited tickets available from coca-cola-arena.com. Blu Blood and Coca-Cola Arena proudly present Boyz II Men, with support from Dubai Calendar.

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Rosales’ artistic voyage commenced against the backdrop of a corporate landscape, where she honed her skills as a bank executive for private investment companies. However, her indomitable spirit and unwavering dedication propelled her towards a profound metamorphosis, beckoning her towards the realm of fine arts and entertainment. With an audacious leap of faith, Rosales traversed continents, settling in Buenos Aires before venturing forth to the United States, where she carved an indelible mark as an international model and actress, gracing prestigious platforms and collaborating with esteemed brands like Nickelodeon.

Yet, it was amidst the whirlwind of success and acclaim that Silvia Rosales experienced a soul-stirring epiphany, a moment of profound introspection that rekindled her primal connection to the realm of visual artistry. Embracing her true calling with unwavering resolve, she embarked on a transformative journey, dedicating herself wholeheartedly to the creation of evocative masterpieces that transcend conventional boundaries and stir the depths of the human spirit.

At the heart of Rosales’ artistic ethos lies a profound reverence for the intricacies of human experience and the sublime beauty of the natural world. Her oeuvre is a testament to the power of transcendence, as she infuses each canvas with vibrant hues, ethereal imagery, and poignant symbolism that resonate with the viewer on a visceral level. From the captivating allure of “Freedom of the Soul,” where the dragonfly and stingray serve as emissaries of liberation and introspection, to the transcendent majesty of “Mandala of Blessings,” wherein divine light and serenity converge in a kaleidoscope of spiritual abundance, Rosales invites us to embark on a journey of self-discovery and transcendence.

As we navigate the labyrinthine corridors of Rosales’ artistic universe, we are reminded of the transformative power of creativity, the boundless potential that resides within each brushstroke, and the inexorable journey towards self-realization and enlightenment. Through her art, Silvia Rosales beckons us to embark on a voyage of discovery, to surrender to the infinite possibilities that lie within, and to embrace the transcendent beauty that permeates every facet of existence. In a world fraught with tumult and uncertainty, her luminous creations serve as beacons of hope, guiding us towards the immutable truth that, in art, we find solace, inspiration, and the eternal essence of the human spirit.

Experience Silvia Rosales’ captivating artistry on her website and Instagram.

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Rooted in the exploration of life’s natural highs and lows, Benmore’s work embodies a delicate balance between organic, introspective musings and pop-infused, vibrant aesthetics. With each brushstroke, he delves into the depths of human nature, inviting viewers to ponder the fleeting moments of sentimental memory and introspection that define the human experience.

Themes of societal issues, politics, equality, and consumerism permeate Benmore’s work, offering subtle commentary on the state of the world while hinting at popular iconography and symbols. In his most recent pieces, he delves deeper into his personal experiences with growing up, mental health, and the challenges they entail, weaving his narrative into the fabric of his art.

As someone who grapples with invisible illnesses, Joshua Benmore finds solace in bringing beauty to the forefront, even in the face of adversity. His colour-filled canvases act as cheerful facades, concealing sincere messages beneath their vibrant exteriors. Through juxtaposition and subversion, he encourages viewers to question their thoughts and stories, finding personal meaning in the layers of his work.

Flowers, symbols of nurturing and comfort, feature prominently in Benmore’s art, mirroring the resilience of the human spirit. Titles such as “Flowers will grow again” and “the light through the dark” serve as beacons of hope amidst the turmoil, while signs of encouragement emerge from beneath layers of paint, guiding viewers toward moments of strength and positivity.

Inspired by music, mid-century modern aesthetics, and pop surrealism, Benmore’s artistic style evolves with each piece, embracing new methods of image-making while retaining an organic, childlike quality. Viewers are invited to uncover hidden notes and thoughts scattered throughout his work, each viewing offering a new perspective and a fresh revelation.

In essence, Joshua Benmore’s art is a testament to the power of creativity as a means of introspection and connection. Through his vivid imagery and heartfelt narratives, he invites viewers on a journey of self-discovery and contemplation, leaving them with a sense of comfort, nostalgia, and hope.

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Charmaine’s latest collection is a vibrant celebration of life’s unexpected lessons, captured through a fusion of neo-expressionism, Japanese Manga, Pop Art, and African art influences. Her art—alive with bold hues, playful doodles, and profound symbolism—serves as a mirror to our innermost thoughts and feelings, revealing the unseen layers of our consciousness.

Taking L’s explores the themes of loss, love, and learning through an upbeat and positive lens, offering a visual storytelling experience that celebrates resilience and the joy found in artistic exploration. Drawing inspiration from her personal experiences, highlighting the essence of taking in all the L’s as embracing all the losses and the grief it carries like a winner and moving forward with the trophy of the loss as an addition that enriches life’s journey. Charmaine Chanakira’s exhibition is a testament to the strength derived from involuntary lessons, vulnerability and the power of collective support. Chanakira shares an essential insight that each downfall is a humbling lesson that resonates with knowledge and experiences. We uncover resilience and learn to appreciate life’s complexity, discovering strength in our growth. Each artwork serves as a milestone in understanding different parts of taking the L, acknowledging human emotion, the genuine love and support from her circle of female friends, and the path towards embracing one’s vulnerabilities. This perspective is woven through the exhibition treasuring the significance of self-love, the joy of reconnecting with one’s inner child, and the strength that comes from facing life’s experiences with courage and openness.

This showcase is not merely an exhibition of art; it is an invitation to immerse oneself in the captivating world of Charmaine’s art, where each work is a narrative of overcoming adversity with each step along the path of self-discovery, healing, and the joy of artistic exploration. It highlights the importance of self-love and the transformative power of embracing hardships with courage and grace. 

Charmaine’s work challenges perceptions and opens dialogues around identity, mental health, and experiences, making each artwork a conversation starter and a mirror reflecting the viewer’s inner world. Mestaria Gallery, a hub for regional and global talent, invites art lovers and curious minds alike to immerse themselves in this inspiring exhibition.

Exhibition details:

Exhibition: “Taking L’s’” by Charmaine Chanakira

Dates: Tuesday 27^th February to Wednesday 20^th March 2024 

Location: Mestaria Gallery Alserkal Avenue, Dubai

Timings: Open daily from 10am-7pm

For more information please visit: www.mestaria.art

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“For an artist, having a residency and curating a show is a dream come true,” Ray expressed, her voice resonating with pride and anticipation. The labour of love spanned six months, resulting in 48 meticulously crafted ceramic pieces that resonate with depth and symbolism.

Ray’s exhibition is not merely an artistic endeavour; it’s a poignant commentary on women’s pivotal roles in education, land ownership, and agriculture. Through the malleable medium of clay, she endeavours to convey the interconnectedness of all beings, emphasizing the gender fluidity inherent in Mother Earth.

“My intent was to encapsulate the essence of what matters most to me as an artist, fostering a narrative that resonates with present and future generations,” Ray explained passionately. Her creations are a harmonious blend of aesthetics and advocacy, each piece echoing stories of resilience, empowerment, and unity.

Central to the exhibit are three striking goddess figures, representing the continents of Africa, Asia, and the Americas. These sculptures stand as a testament to the global sisterhood, honouring the diverse tapestry of women’s experiences across borders and cultures.

Complementing these goddesses are large ceramic spoons, symbolic of nourishment and sustenance, and word puzzles intricately crafted on ceramic tiles. These puzzles, upon closer inspection, unveil interconnected narratives, illustrating the symbiotic relationship between women and the world around them.

For Ray, who was born blind, clay serves as a tactile canvas, allowing her to perceive and navigate the world in her unique way. “For me, it’s about the feel, the touch, and the vision that resides within,” she articulated, highlighting the profound connection between art and sensory perception.

Yet, beyond the artistic brilliance lies a deeper mission. Ray fervently hopes her exhibition will challenge perceptions and broaden horizons, particularly regarding individuals with disabilities, and more specifically, women of colour. In an art world often dominated by conventional norms, Ray’s voice emerges as a clarion call for inclusivity and representation.

“There’s a place for each one of us, a space where our voices and visions can flourish,” Ray asserted. Her words resonate with a universal truth, emphasizing diversity’s richness in the artistic landscape.

As visitors traverse the gallery, they are invited on a journey—a journey that celebrates women, embraces diversity, and champions the indomitable spirit of resilience. Ray’s exhibition is not merely a visual treat; it’s a transformative experience, challenging visitors to see beyond the surface and delve into the profound narratives that shape our collective consciousness.

In conclusion, Donna Ray’s “Women’s Equity and Gender Fluidity” stands as a testament to the power of art to inspire change, ignite conversations, and forge connections. Through her visionary creations, Ray invites us all to envision a world where every voice is heard, every story is celebrated, and every individual is valued. It’s a poignant reminder that art, in its myriad forms, can reshape narratives, challenge perceptions, and foster a more inclusive and equitable world.

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From a young age, Al-Tasan had a passion for art and drawing, but it wasn’t until later in life that she recognized its profound impact on her well-being. She revealed, “Drawing and engaging in art became a source of happiness and therapy for me, providing a positive and uplifting energy. It was like feeding the soul with art.”

The Classy Expo marked a turning point in Al-Tasan’s artistic journey, thanks to her daughter’s surprise arrangement of a booth to showcase her work. Visitors to her booth were captivated by the emotions and stories conveyed through her art.

Overwhelmed by the response, Al-Tasan shared, “I feel speechless and so happy, emotional when visitors recognize the artwork and feel my pain and happiness through my artwork.”

Her art speaks volumes about her personal journey and reflects messages of happiness, resilience, and the idea that beauty can emerge from adversity. She expressed, “I wanted people to see happiness in my artwork and to feel that all the pain I went through led to beautiful artwork and turned out to be something good. From everything bad, there is good. Don’t give up, keep trying.”

Beyond her artistic creations, art has played a pivotal role in Al-Tasan’s personal growth. It has taught her to find inner peace, avoid taking life’s challenges personally, and make decisions without regrets. She explained, “The process helped me to calm down and be patient.”

Al-Tasan’s artwork is a celebration of African culture, with a particular focus on the beauty of African women and their traditional attire. Her skillful brushstrokes capture the vibrancy of African fashion, with its rich colors, intricate patterns, and captivating textures, resulting in visually stunning pieces. Her art not only pays homage to African heritage but also promotes cultural appreciation and cross-cultural understanding.

One of the hallmarks of Haya Al-Tasan’s work is her ability to capture the joy and energy of dance, transporting viewers to a world filled with the rhythm and movement of music. She also incorporates the delicate beauty of flowers, utilizing their colors and forms to add depth and symbolism to her creations. Her diverse range of subjects showcases her talent and passion for capturing the essence of culture, music, and nature.

The Classy Expo has provided Al-Tasan with a platform to share her work with a broader audience. The event allowed her to network, connect with art enthusiasts, and receive offers from various stores. Her dream is to become a globally recognized artist, and she is determined to continue creating art and connecting with art lovers worldwide.

Haya Al-Tasan’s artistic journey serves as an inspiration to all, proving that art has the power to heal, uplift, and transform, and that from adversity, beauty can always emerge. Her hope is that her art will continue to inspire others to find strength and solace through creativity and self-expression.

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Argentina has experienced devastating economic turmoil and economic downturn over the past year, with the peso losing approximately 60% of its value compared to the U.S. dollar. This depreciation is occurring simultaneously with one of the world’s highest inflation rates, amplifying economic hardships for its citizens. The resulting frustration and discontent have fueled the rise of anti-establishment candidates who admire former U.S. President Donald Trump.

Amid this economic turmoil, a group of artists has chosen to express their concerns and outrage through their craft, using art to shed light on the profound economic damage being inflicted upon the country. Ironically, as these artists channel their frustrations into their creations, their artwork is simultaneously increasing the value of the increasingly worthless Argentine bills they employ as their canvas.

This phenomenon highlights how runaway inflation is reshaping the habits and priorities of Argentines. Middle-class individuals are cutting back on luxuries like beauty parlour visits, while families are turning to secondhand clothing due to fears of rising prices. Those with disposable income are stockpiling essential goods, well aware that prices are set to surge again in the coming months. Paradoxically, restaurants in the capital are thriving because saving money seems futile when each paycheck’s purchasing power diminishes with every passing month.

Sergio Díaz, along with other Argentine artists, leads the “Money Art” movement, using modestly priced brushes and acrylics to transform 10, 20, 100, or 1,000-peso notes into unique works of art. Their creations fetch prices ranging from 40,000 to 70,000 pesos within Argentina and as much as $300 abroad. Stringent capital controls in the country have limited access to the official foreign exchange market, leading to the proliferation of parallel rates.

The artists’ initiative is an attempt to reclaim their currency at a time when Argentine pesos have faced scorn from neighboring countries. Brazilian soccer fans have mockingly torn up peso bills to taunt their Argentine rivals, and Paraguayan exchange offices have started refusing to accept Argentine pesos.

August witnessed a staggering 12.4% surge in inflation from the previous month, marking the highest monthly consumer price increase since February 1991. Compared to the same month the previous year, prices soared by 124%, according to the government’s Indec statistics agency.

Díaz’s artwork featuring George Washington and the jaguar is just one piece from his series titled “The Art of Devaluation,” set to be exhibited in his hometown of Salta in November. Díaz explains that his art embodies an element of transgression and vandalism but ultimately seeks to address the pervasive issue of inflation affecting all Argentines.

Other creations from the artist include portraits of Argentine soccer legends Diego Maradona and Lionel Messi on bills, as well as iconic characters such as Pennywise from “It” and figures from “Harry Potter.”

Fellow artist Cristian English, who began working on bills during the COVID-19 pandemic, has found demand for his work in countries like Paraguay and Chile. His Diego Maradona portrait on a 10-peso bill has garnered particular attention.

Despite the challenges of working with low-quality paper, artists like English remain committed to using the 2,000-peso bills, finding them more affordable than traditional canvases. The economic situation they confront may be unparalleled, but their creativity and determination serve as a testament to the resilience of the Argentine people in the face of adversity.

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The reconstruction of the early 20th-century townhouse included replacing all windows, repairing doors, elevators, drop ceilings, and skylights, and restoring traditional wooden panels on the museum’s historical floor. Funding for the museum’s restoration was also provided by the International Alliance for the Protection of Heritage in Conflict Areas, the French Ministry of Culture, Agenzia Italiana Per la Cooperazione allo Sviluppo, and UNESCO-Li Beirut, among others, raising a total of $2,376,751.

Around 50 artworks were also restored, including two significant pieces, “Untitled (Consolation)” by Paul Guiragossian and a portrait of Nicolas Sursock by Kees Van Dongen. These were restored by the Centre Pompidou in Paris.

The museum’s reopening is an achievement in itself, symbolizing the city’s resilience and belief in the power of art and culture, especially during times of hardship. The director of the museum, Karina El-Helou, expressed that the reopening is not just a celebration of the museum but also the people who stayed and worked on it over the past few years, despite the economic collapse the country continues to face.

The Sursock Museum’s significance extends beyond being a museum. It represents the memory of Beirut and a country that has faced numerous crises in recent years. Its reopening is an opportunity to celebrate the museum’s and Beirut’s cultural scene’s endurance and resilience.

To mark its reopening, the museum has planned an ambitious program of five exhibitions, including “Je Suis Inculte! The Salon d’Automne and the National Canon,” “Beyond Ruptures: A Tentative Chronology,” “Earthy Praxis,” “Ejecta: Zad Moultaka,” and “Beirut Recollections.” These exhibitions aim to showcase the museum’s history and local socio-political events through works by prominent Lebanese artists.

In conclusion, the reopening of Beirut’s Sursock Museum marks a significant milestone in the city’s cultural scene’s history, representing the memory of Beirut and a country that has faced numerous crises. The museum’s restoration and reopening demonstrate the resilience of art and culture during challenging times and its ability to bring communities together.

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